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Broadway at the Paramount

The Paramount Theatre will rock and roll with next year’s Broadway series.

The fun kicks off with “Under the Streetlamp” on Oct. 5, featuring the music of the American Radio Songbook of the ’50s, ’60s and ’70s, performed by former members of the Broadway touring production of “Jersey Boys.”

The remaining lineup includes:

 

— “Elvis Lives,” Oct. 22

 

— The ABBA-inspired “Mamma Mia!” on Dec. 15, 2014

 

— Green Day’s rock opera “American Idiot” on Jan. 26, 2014

 

— Hal Holbrook in “Mark Twain Tonight!” on March 22, 2014

 

— The groundbreaking musical “Hair” on April 10, 2014

 

— Perennial powerhouse “West Side Story” on May 7, 2014

 

Season subscriptions are on sale at the Paramount Theatre Ticket Office, (319) 366-8203  and BwayAtTheParamount.com. Individual show tickets will go on sale at a later date.

REVIEW: ‘Beauty and the Beast’ charms sold-out audiences

The cast of “Disney’s Beauty and the Beast” (Photo by Joan Marcus)

CEDAR RAPIDS — “Disney’s Beauty and the Beast” embodies all that is magical about musical theater and proves that shows designed for children can be just as wondrous for adults.

The first of two sold-out audiences giggled, guffawed, gasped and cheered through 2 hours and 40 minutes of utter enchantment Sunday (2/17/13) afternoon at the Paramount Theatre.

This national tour was mounted by the design and production crew that first brought the show to Broadway, so every inch of the scenery, costumes, lighting and special effects was beyond gorgeous, matched only by the singing, dancing, acting and orchestra.

“I love it,” my almost-8-year-old niece, Isabelle Slocum, declared at intermission. “It’s pretty cool. Belle is really pretty — everything’s just really cool.” She and her mom both thought Gaston was funny, too, and Isabelle sang the show’s praises all the way home to Mediapolis.

She’ll be singing the songs, too, for days to come. And that is the beauty of bringing first-class productions to the Paramount. These shows create lifelong memories and instill a love for the arts in little viewers and the adults lucky enough to share in the experiences.

The show was visually stunning. I worked in theater for a very long time, and I still got lost in several “how’d they do that” moments — especially at the end, when love’s tears lift the Beast into the air, where he swirls amid the lights and becomes the handsome prince right before our very eyes. It’s a superbly magical moment.

Everyone in the cast is so strong, having such a ball playing the characters many of whom were one step short of a cartoon.

Hilary Maiberger is simply lovely as Belle, the bookish girl with a heart so large she can see inner beauty where others see a hideous monster. Her voice matches that strength of soul as she soars through “A Change in Me,” realizing all the Beast has taught her during her time imprisoned in his castle.

Darick Pead brings terror and tenderness to the Beast, roaring and growling one moment, then softening just enough to let the children in the audience embrace him with laughter, not fear. His musical numbers break your heart, as he struggles with his inner demons.

His cold, callous ways caused him to fall under a witch’s curse years ago, which can only be lifted when he learns to love and finds love in return. He struggles mightily to find vestiges of humanity buried within the animal he has become.

The supporting cast brings light and laughter to shatter the darkness of the tale.

Joe Hager is all ego and muscles as Gaston, the sexy beast from the village determined to win Belle’s heart. He doesn’t stand a prayer of a chance — a cad who has virtually no redeeming qualities. He struts with a bit of an Elvis swagger, however, that lightens his load. Jimmy Larkin adds lots of visual punch and pratfalls as his hapless sidekick Lefou, kicking up laughter at every turn.

So much of the magic, however, comes from the enchanted servants also laboring under the witch’s curse. Delightful at every turn are Lumiere, a candelabra whose hands light up; Cogsworth the clock; Madame de la Grande Bouche, an opera singer turned into a wardrobe; Babette, a French maid who now shakes her tailfeathers as a feather duster; teapot Mrs. Potts and her adorable teacup son Chip.

Always a showstopper, “Be Our Guest” is as big and exciting as musical theater gets, with a chorus line of cutlery joining the castle’s staff in welcoming Belle to her new life, near the end of Act I.

A more intimate moment creates the wonder in Act II, as Mrs. Potts (Erin Edelle) sings the show’s title song, while Beauty and the Beast share a romantic candlelit dinner and waltz under a full moon.

The bouncy townspeople, the frightening wolves, the hideous gargoyle minions at the castle and an acrobatic magic carpet infuse the show with humor and horror, rounding out a thrilling, enthralling tale as old as time, yet always fresh and new.

Related: Actress loves being belle of the ball with smart, witty character

Beauty and the Beast

The cast of “Disney’s Beauty and the Beast” (Photo by Joan Marcus)

This tale as old as time never grows old for Belle and the cast of “Disney’s Beauty and the Beast.”

The lavish Broadway musical that sprang from the animated movie will be bringing all the magic of dancing candlesticks, flirty feather dusters and a little chipped tea cup to the Paramount Theatre stage for two sold-out performances Sunday (2/17).

“We’ve just hit seven months — over 150 shows. It’s amazing, and surprisingly, it has not gotten old or stale for me at all,” says Belle actress Hilary Maiberger, 27, of Redlands, Calif.

“It’s still a challenge every night to keep her honest and likeable and just real. I think that’s one of the hardest things for me to do, because she is a Disney character, but you don’t want to make her cartoony. You just want to keep her real and honest – that’s why the audiences love her so much,” Maiberger says.

“I can’t wait for the next four months I get to do this. I’m so excited.”

The cast finds little ways to keep things fresh, as they travel from city to city, day after day.

“My fellow actors surprise me every night,” she says by phone from Panama City, Fla., before heading to the next tour stop in Montgomery, Ala. “The show for all of us is still not old and we’re still discovering moments. When they make different choices, obviously it surprises me. My fellow actors keep me on my toes, which is so refreshing and so great — and why the show doesn’t get old for any of us.”

Maiberger likes strolling through the lobby after the show, out of costume, out of makeup, just wearing her street clothes.

“I’m usually not recognized. I see all the little girls in their beautiful, beautiful Belle dresses and their little Beast stuffed animals,” she says. “It’s amazing. The audience reaction has been so overwhelming, in a great way. It just reminds me how awesome my job is. The little girls believe that Belle is real. It’s the real world to them, so it’s awesome that I get to tell this story to them every night.”

The Beast and Belle (Photo by Joan Marcus)

The details

It’s the story of a young maiden, 16, who is admired for her beauty, not her brain. She prefers books to boys, dreaming of an adventure to rescue her from her provincial life.

That dream turns into a nightmare when she rescues her father from the dungeon of a dangerous and magical castle ruled by a hideous beast. She begs for her father’s freedom, agreeing to take his place.

The beast is actually a vain and handsome prince, imprisoned for 10 years in the body of a beast because of a witch’s spell. Belle holds the key to his freedom, too, but first, he must learn to love her and she must learn to love him.

Despite a mountain of obstacles and improbabilities, they develop a friendship that grows into love.

“‘Beauty and the Beast’ was my first Broadway show, that I saw when I was 10 years old,” Maiberger says. “I remember telling my mom during the show that I wanted to be Belle when I grew up.

“She’s not your average Disney princess. I’ve played Cinderella and Jasmine, and Belle is my favorite by far. She’s really, really smart. That’s what I really, really love about her. She’s not your damsel-in-distress type of girl. She’s witty, she’s fun, she’s just so beautiful inside and out,” Maiberger says.

“One of greatest things I love about her is that she’s smart. She doesn’t panic. She has control of the situation. And she has this huge passion for something bigger. She has huge dreams, which so many people can relate to. I could go on and on about Belle. She’s odd – she’s a little quirky just like her dad, but she embraces that in the end.

“That’s one of the messages of the show, that it’s OK to be a little different. And of course, she has this amazing ability to love. She falls in love with the Beast for all that he is, and looks past his horns and sharp teeth and mane of hair,” Maiberger says.

“If she was a real person I’d want to be friends with her. She’s amazing.”

Belle’s intelligence and passion help make her a wonderful role model for young viewers – as well as for the adult actress playing the role.

“She loves to read, she loves to learn. She’s just so dedicated to her father, and that relationship is really, really great,” Maiberger says. “She’s open to giving people chances and second chances, and willing to open up her heart to let someone in and help them feel comfortable about who they are. It’s never about her – it’s always about the other person. That’s such a beautiful quality in a person, and you don’t see that a lot in this industry, especially.

“It’s a gift that I actually get to play someone like her and it’s a reminder to keep me grounded. I hope I share some of her qualities. I think I do.”

They do differ in one big way.

“Belle has no need for material things and I love to shop,” Maiberger says with a laugh.

She also identifies with Belle’s quirky ways.

“I’m definitely an oddball in my family,” says Maiberger, who grew up in Yucaipa, Calif., about 80 miles east of Los Angeles. She dabbled in theater a bit in school, but had her heart set on a music career.

Hilary Maiberger

“I just wanted to be a pop star,” she says. She cut a demo, hoping for a record deal, and made it to Hollywood Week in “American Idol” season six. In college, however, she discovered the joys of singing and acting, and ventured into musical theater, opera graduate studies and summer stock roles.

“My sisters are business women and so, so smart. They’re both married and settled and I’m single, I’m out on tour traveling, and I get paid to dress up and play a Disney princess. So I’m definitely an oddball in that sense,” she says.

Maiberger embraces Belle’s wit, wisdom and warmth, too.

“Belle is such a good friend. I think I’m a very loyal friend and have huge, huge dreams just like Belle does, and I’ve definitely reached one of these dreams. Those are some of the qualities Belle and I share,” Maiberger says.

“I like to think I’m witty and smart. I have so much passion for life. I’m so excited to see what’s next.”

The Midtown Men

None of The Midtown Men lived through the ’60s, but the ’60s live through them.

“There was something about the music of the ’60s and that generation of writers … it was an inspired time in songwriting,” Daniel Reichard, 34, says by phone from his home in Greenwich Village.

“These hooks are incredible. The melodies and the combination of melodies and lyrics with the kind of rock ‘n’ roll sensibility — it’s so specific to the ’60s. How one amazing song after another was being released has a lot to do with enduring appeal of the ’60s.”

Reichard and the rest of The Midtown Men — a foursome who starred in the original 2005 Tony Award-winning, Broadway blockbuster cast of “Jersey Boys” — will bring those timeless sounds to the Paramount Theatre in Cedar Rapids on Friday night. (1/4/13)

The details

Reichard sings tenor; Tony-winner Christian Hoff carries the baritone; Michael Longoria, who originally played Joe Pesci in “Jersey Boys,” before soaring into the stratosphere as Frankie Valli, hits the highest notes; and J. Robert Spencer, a Tony- nominee for “Next to Normal,” is the versatile bass whom Reichard says also can pop up into a high rock sound.

The Midtown Men, coming to the Paramount Theatre in Cedar Rapids on Friday, are (from left) Daniel Reichard, Christian Hoff, J. Robert Spencer and Michael Longoria.

They made their mark with the music of The Four Seasons, went on to other pursuits and reunited occasionally to sing together. At the urging of their mentor, they became The Midtown Men in 2007 – the only independent singing group formed from the principal cast of a hit Broadway musical. They’ve expanded their scope, singing the music of The Beatles, The Drifters, The Turtles, The Mamas and the Papas, Marvin Gaye, The Temptations and The Four Seasons.

Their name is an homage to their “rocket ride” to success on Broadway.

“We’re all New York City boys. Truly, even though none of us really came from New York, we hugely identify with the life here,” Reichard says, “because so many of the important things that have happened to us have happened to us in New York, specifically in Midtown Manhattan.”

They’re all in their 30s and 40s, but find their bliss in the slicked-back sounds and smooth moves of an earlier generation. So do their standing-room-only audiences. (Fewer than 90 tickets are left for the Paramount show.)

“Musically, I think it was a groundbreaking time for men and women expressing themselves more freely,” Reichard says. “I think that men were wearing their hearts on their sleeves more than ever during the ’60s, so it wasn’t these sort of vague romantic notions about living, that are beautiful in the music of the ’40s and the ’50s and before.

“It became a little grittier in the ’60s, and I think people really appreciated and continue to appreciate that sincerity. For many people growing up there, we are singing the soundtrack of their lives. They’re living these songs in a few different ways. They’re getting flashbacks of various adventures, but we are more focused in our show on reliving the music for today. People really should be enjoying these songs in the context of their 2012 lives, no matter what age you are.

- The Midtown Men, coming to the Paramount Theatre in Cedar Rapids on Friday, are (from left) Michael Longoria, Christian Hoff, Daniel Reichard, and J. Robert Spencer.

“We’re trying, with music, to remind people that whether you’re a young teenager or you’re in your 20s and 30s or you’re in your 60s or 70s, you should play these songs loud, play them in your car and have fun with this music, and use this music as an emotional outlet. I think that sometimes people feel they are past the point of having fun with music,” he says.

“We see first-hand from their reaction to our show that people really have tons of energy and life going on inside of them, that it almost surprises them when it comes out. Talk about a beautiful perk of the job — to stand up on stage and look out on the audience and see people’s spirits transform.”