Blog Archives

Living with Floods

Preservation Hall Jazz  Band and Hancher are indelibly linked, not only because the New Orleans jazz masters were the first touring musicians to help open Hancher Auditorium in Iowa City in 1972, but because the two river city institutions share the same scars — and the same unwavering spirit.

“In New Orleans, we have a way of celebrating life and we have a way of celebrating even at times when you’d think it’s impossible to celebrate, it’s impossible to find anything redeeming about the circumstance. And yet at probably one of the most difficult times of our lives, such as the passing of a loved one, at a funeral we play music,” says Ben Jaffe, 42, of New Orleans, creative director of the venerated Preservation Hall Jazz Band. He’s also a tuba and double-bass player with the band his late father founded 50 years ago.

“Most people can’t understand how you can play joyous music at this very somber, sad time. The truth is, to us it’s a celebration of the person’s life. It’s not a time to mourn. It’s a time to mourn AND celebrate. That’s what makes New Orleans to me, such a vital part of our country,” he says.

“There’s so much to be learned in that — to be able to find something to look forward to, something that helps you get through the day. Something that helps you wake up in the morning, something that allows you to sleep peacefully at night. That’s what New Orleans celebrates. It’s what got us through one of most difficult, challenging, hard times of our lives.” One that etched deep scars on a city and its people still in recovery from Hurricane Katrina’s 2005 devastation.

The band will bring its jubilant sound to a seven-city tour of Iowa this month, as the musical centerpiece of Hancher’s “Living With Floods” initiative. Free outdoor concerts will be staged in Des Moines on June 7, Council Bluffs on June 8, Muscatine on June 11, Brucemore in Cedar Rapids on June 13, Davenport on June 14, the UI Pentacrest in Iowa City on June 15 and Dubuque on June 16.

The details

Born out of conversations between Hancher and the University of Iowa College of Engineering in February 2011, “Living With Floods” is a UI interdisciplinary effort designed to spark flood education for middle- and high school teachers and students; community forums on flood recovery and mitigation programs; STEM science, technology, engineering and math festivals for young people; and artistic connections with the seven concert cities impacted by the Floods of 2008 in Eastern Iowa and on the state’s western border in 2011.

Partnering with Hancher and the College of Engineering are  the UI College of Education and its Interdisciplinary Flood Institute, the Center for Global and Regional Environmental Research, the Iowa Flood Center, the State Hygienic Laboratory and iExploreSTEM, all housed or initiated at the UI.

“One part of the strategic plan is improving the lives of Iowans. This definitely is right in line” with Hancher’s mission “on so many levels,” Chuck Swanson, Hancher’s executive director, says. “There’s so much in terms of the educational part. From a cultural standpoint, I love the idea of mixing the sciences with the arts. That’s a really important part of this project. In this particular case, it works so well. It just seemed so natural. It just fit together extremely well. We didn’t have to explain it to anybody — everybody got it right on.

“We are the University of Iowa, we’re not the University of Iowa City. I love traveling 300 miles from here and talking about the University of Iowa. What’s great about it, is you come to these communities and there are so many alums and there are so many people care deeply about the University of Iowa. When you can connect and then bring wonderful things to their community, it’s quite magical. It’s very important for us to get out there and be connecting throughout the state, and what love more than anything is when can do it together as a team. And also, it builds camaraderie with the different areas of the university,” Swanson says.

The floods are “a big thing to commemorate,” he says. “Some of us are still living with floods. I know there’s a lot of people in Cedar Rapids that are. Then take a look at Hancher — we’re still living with floods every day,” with the new Hancher facility not expected back before fall 2016.

Bringing Preservation Hall Jazz Band onboard also was most appropriate.

“Their music is so joyous (with) such a sense of celebration, that I really feel like this a perfect way for us to commemorate that five-year anniversary — and in Council Bluffs, the two-year anniversary,” Swanson says, as well as to close out Hancher’s 40th anniversary season.

“It’s so fitting for outdoors, and it’s so fitting for community spirit, and it’s just so fitting to be able to celebrate the collaboration that’s happened with a part of this project — how many people have come together to make a difference in the lives of people in each one of these communities.

“We chose the right artists,” Swanson says. “They’re so geared up. They are really excited because of what this is all about.”

Music has been a lifeline for Jaffe and his hometown. It’s what got them through the hurricane floods that wiped out people’s lives, homes, livelihoods and history.

“It’s still difficult and personal and very close  to our hearts,” Jaffe says. “It’s something you’ll never heal from completely, but something that becomes part of your identity, that’s where we’re at with it.”

The floods closed Preservation Hall — home to half a century of the region’s greatest jazz sounds — for a year. It took a full five years to restore this historic building to its pre-Katrina days, Jaffe says.

“In the physical rebuilding of a city, there’s two things that take place simultaneously. One is a physical rebuilding and the other is the rebuilding of the community and the part of yourself that gets lost in the storm — the memories, the personal effects — they get lost in the storm,” Jaffe says.

“In the case of New Orleans, we not only physically lost a lot of our history, but we also lost individuals and families and that part of our community, as well. They estimated that about 80 percent of our city had to be rebuilt, as a result of the hurricane,” he says.

“That’s just something that it’s hard to even wrap your mind around — the extent of that damage. You can’t even prepare yourself for it. You think of the devastation of one house burning down, and how that impacts a neighborhood, and then you think about an entire neighborhood disappearing. It’s something that takes years and years of dedication and hard and diligent commitment. There are still parts of our city that we’re still in process of rebuilding. What I am happy to say is that the hard work does pay off. It not only makes physically, parts of the city stronger and better, but it also, in our case, made our community stronger,” he says.

And yet a certain fear still bubbles up with extreme rains and flood warnings.

“You never get over that,” Jaffe says. “Katrina was in 2005 and you still have moments where you’re pushed to brink of exhaustion.  Families are still torn apart as a result of that. It’s something that you never completely heal from. It just becomes like a scar, something that becomes part of your identity as a person.”

Even in their darkest hours, however, New Orleans musicians have shown the world how to find the spirit to move on.

“When thinking about this (Iowa) residency — what we can offer musically and what it was that got us through these times — music was something we looked forward to. It was all we had,” he says. “That’s something that we’ve never forgotten. When we started talking about being a part of this (Hancher) celebration of this anniversary — of this rechristening, this rebirth — where it feels like you have these moments where you start over — that’s what our music does.”

The Iowa tour also gets back to New Orleans jazz roots.

“We’ll be playing outdoors, we’re going to be playing at fairs, we’re going to be playing by the river, we’re going to be playing at all these different places,” Jaffe says. “I thought to myself, that’s exactly what we do in New Orleans. We don’t even need electricity — we just show up and start playing. That’s what’s so beautiful about it.

“The flood actually put us back in touch with something that has existed in New Orleans, but often has been forgotten — that our music, literally, is generated by us, by human beings,” he says. “We’ve become so reliant on electricity just to get us through the day, what happens when it’s gone? It was gone in New Orleans for so long. It was gone for almost six months, and how do you survive on something that really nourishes your soul? That’s what music has done.”

Related event: Arts & Minds: A Celebration of Partnership, 3:30 p.m. June 14, UI East Pentacrest, downtown Iowa City; free public event honoring campus, state and federal partners whose dedicated efforts are bringing world-class arts facilities to Iowa. Featuring Preservation Hall Jazz Band, remarks by university and government leaders, and performances and exhibits from students in UI arts programs. Bring seating.

Preservation Hall Jazz Band (Photo: Clint Maedgen)

Arts, culture groups prepare for flood

VenuWorks and Paramount personnel move the Mighty Wurlitizer's new console out of its concrete basement bunker and onto its lift Thursday (5/30/13). The organ is now sitting on the Paramount stage, at the ready to move out of the building if floodwaters threaten its safety in the recently reopened downtown performing arts venue. (VenuWorks photo)

“The National Weather Service is now predicting that the Cedar River at Cedar Rapids will climb to 19.8 feet by midday on Saturday (6/1/13). At 10 a.m. Thursday, the Cedar River at Cedar Rapids had reached 15.22 feet.” — The Gazette/KCRG-TV9

Hoopla: When the rain starts falling and doesn’t let up, we get that awful flashback to the Floods of 2008, when we saw the Cedar and Iowa rivers swallow nearly all of our performing arts venues in the Corridor. Here’s where we are Friday morning (5/31/13), as culled from Facebook updates and news releases:

AFRICAN AMERICAN MUSEUM OF IOWA, Cedar Rapids

We will be closed Friday (5/31/13) due to the rising river. Stay safe out there, everyone. Fingers crossed for lower than anticipated waters.

CEDAR RAPIDS CITY PARKS

From Thursday (5/30): The Cedar Rapids Parks and Recreation Department has closed or will soon close the following parks due to flooding: Prairie Park Fishery, Cheyenne Park (including the off-leash dog area) and Seminole Valley. The Ellis gardens are flooding, all of the boat ramps have been closed and the Sac and Fox Trail remains closed.

CEDAR RAPIDS DOWNTOWN FARMERS MARKET

Friday (5/31): The meters are decorated with “no parking” signs, and folks at the Metro Economic Alliance say that as of Friday morning, Saturday’s Downtown Farmers Market is a go. Hours are 7:30 a.m. to noon.

CEDAR RAPIDS OPERA THEATRE

From Derek Easton on Thursday (5/30): Thanks to everyone who came down to help move the Cedar Rapids Opera’s props storage up to TCR’s storage on the 3rd floor (of the Cherry Building). While hopefully it won’t be necessary the small amount of water seeping in and the way the NewBo district currently looks is pretty scary to see. Lets hope that darn river stops at 20′. I’m guessing there might be more need for help tomorrow (Friday, 5/31).

CERAMICS CENTER, Cedar Rapids

Friday (5/31): Tonight’s 36-hour kiln firing at the Ceramics Center, 329 10th Ave. SE, has been postponed due to flood hazard. The event will be rescheduled for a drier date.

CRATOS, Cedar Rapids

Friday morning (5/31): For those interested and concerned in regards to the flooding — The Paramount Wurlitzer console has been moved to the main level and in safe storage on site. If the water continues to rise, there is a plan in place for console removal off site.

The Iowa Theatre is 4 feet higher than the Paramount. The Barton console is in its regular place in the auditorium, but Cedar Rapids Barton Incorporated has been in regular conversation with the Theatre Cedar Rapids staff and a plan is in place for the console to be placed on the stage if necessary. The shows at TCR are currently scheduled as planned.

CSPS, Cedar Rapids

FRIDAY AFTERNOON UPDATE: Thanks to everyone who helped with sandbagging and moving items this morning at CSPS Hall. We are prepared and don’t require any additional help at this time. Sandbagging is continuing at other locations in New Bo and the Czech Village, however.

From Thursday (5/30): And from the “hard to believe we’re going through this again” department: Staff, friends and volunteers will be sandbagging around CSPS Hall, and its tenants New Bo Books, Brewed Cafe and Studio U, Friday morning (5/31), starting at 8 a.m. We could use your help.

NATIONAL CZECH & SLOVAK MUSEUM & LIBRARY, Cedar Rapids

From Rob Merritt on Friday (5/31): The NCSML’s main building is fine. We moved our location 11 feet higher than in 2008. However, we are seeking volunteers to help remove things from the Kosek Building in Czech Village this morning, starting at 10 a.m.

Update: Calling volunteers! We need help moving items out of the Kosek Building, 87 16th Ave. SW in Czech Village, this morning (5/31). This is just a precaution as we continue to monitor river levels. Roads are still fine and the building is dry so far. The main NCSML building is safely out of harm’s way. We’ll start loading a truck at 10 a.m. Please help if you can.

NEW BO BOOKS, Cedar Rapids

Thursday (5/30): We at New Bo Books are preparing for flooding. We are open tonight but will probably not be open tomorrow (5/31/13). At this time we are moving everything not nailed down out. If you have extra boxes and are headed down to the neighborhood and have some we would LOVE them.

Thank you for anyone helping out, we appreciate ANY help and thank you to our great neighbors.

Friday (5/31): It is looking like we will be starting at 8 a.m. CSPS is looking for volunteers to help with the sandbagging and we could use help with loading boxes upstairs.

Thanks again for ALL the help, our volunteers are showing us that Cedar Rapids really is an extraordinary city.

NEWBO CITY MARKET, Cedar Rapids

Thursday (5/30): From KCRG: NewBo City Market will be closed (5/30/13) and for the rest of the weekend as a precaution for the expected flooding.

ORCHESTRA IOWA, Cedar Rapids

Friday (5/31): All systems are go here at Orchestra Iowa! All upcoming shows remain on schedule. Everything looks just fine here, and we will report with any updates if necessary.

PARLOR CITY, Cedar Rapids

Friday (5/31): Craig Erickson says: We are on for Parlor City tonight with The Interplanetary “bluesfunkreggae “Expedition. It is important to support the merchants and small business of the NewBo and Czech Village area at this time..Your business is appreciated and any help with sandbagging or moving stuff in the area that needs moved. But the food and refreshments and good music will be in the house at PC tonight!

RIVERSIDE THEATRE, Iowa City

Friday (5/31): Riverside Theatre in the Park rehearsals are continuing indoors at Riverhttp://www.riversidetheatre.org/side Theatre on Gilbert Street. We are working with the City to closely monitor the water situation in Iowa City’s Lower City Park, planning accordingly. The shows will go on, whether at the park or elsewhere, as will be determined as by the weather in the coming week. (“Hamlet” and “The School for Scandal” run in repertory June 14 to July 7.)

THEATRE CEDAR RAPIDS

Thursday (5/30): From Casey Prince, executive director: Our flood emergency plan does not kick in until the crest is projected several feet higher than it already is. So all is well at your community theater. If you’re having unsettling memories of TCR from 2008 and want to help, pay that community love forward to others that will need help long before we will, those to the west and south of us in downtown/New Bo/Czech Village and other near river neighborhoods and districts. Stay informed. Should things become more tenuous, we will post updates to this page. On with the show!

UNIVERSITY OF IOWA ARTS CAMPUS, Iowa City

FRIDAY AFTERNOON UPDATE: The University of Iowa completed flood protection efforts around Mayflower Residence Hall Friday morning and is on track to close Theater Building and the Museum of Art building, which houses a portion of the School of Music, by the end of the day.

Crews will work over the weekend to encircle the arts campus buildings with HESCO barriers as further protection against possible flooding.

The arts campus will close today, Friday, May 31 as campus officials continue to monitor the river’s rise. Outflow from the Coralville reservoir is expected to peak by early next week.

Most of the mitigation strategies reflect new systems installed and lessons learned since the last major campus flood in 2008.

From Thursday (5/30): Installation of a flood wall around Art Building West (ABW) is ahead of schedule and that building is expected to be closed by the end of the day Thursday. The Theatre Building and former Museum of Art (part of which is being used by the UI School of Music) are still on target to be closed by 5 p.m. Friday.

UI Main Library staff members are moving materials out of the basement. The basement currently houses older and infrequently used items and for general storage and does not contain archives or special collections, which were permanently moved to upper floors after the 2008 flood.

The Art Library, located in Art Building West, will be closed Thursday along with ABW. Reserve materials for summer classes will be moved to the UI Main Library. Other materials may be requested via interlibrary loan.

The UI does not need volunteers and is reassigning staff to flood preparation duties. However, Iowa City plans to begin sandbagging operations Friday and is seeking volunteers to help from 8 a.m. to 8 p.m. at the Johnson County Fairgrounds. Volunteers should check in at Montgomery Hall on the fairgrounds to sign up for a 15-minutesbriefing. Volunteers assigned to sites around the city are encouraged to keep their vehicles at the fairgrounds and use provided shuttle service. For the latest flood-related news from the City of Iowa City, visit www.icgov.org/flood

United Way of Johnson County has created a flood information blog at www.unitedwayjc.org/blog-entry/29-05-2013/flood-information-resources United Way has also established a Disaster Call Center that will operate from 8 a.m. to 8 p.m. for people in need of help or seeking volunteer opportunities. The number is (319) 337-8657. After 8 p.m., people with questions can call 211 or 1-(866) -469-2211.

For ongoing updates, University of Iowa Communication and Marketing (UCM) has established an Iowa Now hub for the latest information about flood preparations at now.uiowa.edu/keywords/flood-updates-2013 Additionally, UCM is providing information via Twitter (hashtag #UIFloodUpdates).

U.S. CELLULAR CENTER, Cedar Rapids

Friday (5/31): Here’s a parking advisory, whether you’re heading to today’s 1 p.m. ribbon cutting and self-guided afternoon tours (5/31), tonight’s Slap ‘n’ Tickle free concert or Saturday night’s Lady Antebellum concert:

The best areas for parking for U.S. Cellular Center arena events will be the 5 Seasons Ramp, the Third Avenue Ramp and the First Street Lot. On-street parking will be available, but limited. More information and public parking maps are available on the Park Cedar Rapids website: http://parkcedarrapids.com/locations/map/

 

 

 

Summer Playlist

Alexandra "Olenka" Gadzik of Davenport dances to music performed by Garaj Mahal during the Iowa City Jazz Festival on Saturday, July 5, 2008. (Jonathan D. Woods/The Gazette)

 

Whether your summer playlist bounces from chamber to country, blues to bluegrass, rock to rhythm, patriotic to pop, you’ll find ‘em all in Eastern Iowa from now through September.

We can’t wait for the U.S. Cellular Center to reopen, with a free sneak peek May 31, followed by Lady Antebellum on June 1 and Barry Manilow on June 22. Keep watching Hoopla as the concert announcements keep rolling out there.

Our other area venues keep the heat cranking all through the summer, too, from CSPS Hall and the Paramount Theatre in Cedar Rapids to the Englert Theatre in Iowa City.

Head outdoors, and virtually every week, you can find music wafting through the air at summer celebrations, festivals and fairs, including some outstanding grandstanding at the Iowa State Fair and the Great Jones County Fair.

Here are “a few” of your choices. Get out your planners, map out your musical montage and plug into the summer scene right in your Eastern Iowa backyard!

May

 

FRIDAY NIGHT CONCERT SERIES, Iowa City

Through Sept. 27: 6:30 to 9:30 p.m., local and regional bands on the Ped Mall, outside the Sheraton Hotel downtown. Free, bring seating. Rain site: Chauncey Swan Parking Ramp, Washington and Gilbert streets, Summerofthearts.org

SATURDAY NIGHT CONCERT SERIES, Iowa City

Through Aug. 24: 6:30 to 9 p.m., local and regional bands, Ped Mall, outside the Sheraton Hotel downtown. Free, bring seating. Rain site: Chauncey Swan Parking Ramp, Washington and Gilbert streets. Summerofthearts.org

UPTOWN FRIDAY NIGHTS, Cedar Rapids

May 24 to July 26: 5 to 8 p.m. Fridays, Greene Square Park, Third Avenue and Fifth Street SE. 25th anniversary season: May 24: The Swing Crew; May 31: Super Size 7; June 7: Lonesome Road; June 14: Two Buck Chuck; June 21: Kantirocks; June 28: Large Midgets; July 5: Tricyclic; July 12: Skeeter Louis and the Cedar Rapids All Stars; July 19: Cedar Island Band; July 26: Jif and the Choosy Mothers. $5 ages 21 and older. Uptownfridaynights.com

MUSIC ON THE VILLAGE GREEN, West Branch

May 24 to June 27: 7 p.m., Village Green, Herbert Hoover National Historic Site, Parkside Drive and Main Street. May 24: Jazz and Pop, West Branch High School jazz band and a cappella singers, free popsicles; June 6: The Hollands; June 13: Kevin B.F. Burt; June 20: Scott Cawelti; June 27: The Feralings. Free; bring seating. nps.gov/heho

  SUMMER FEST, Swisher

May 24 to 26: Cedar Ridge, 1441 Marak Rd. NW, Swisher. May 24: 6 to 9 p.m. Do’s and Don’ts; May 25: 1 to 4 p.m. Lucrezio, 5 to 8 p.m. The Meer Cats; May 26: 3 to 6 p.m. Patchy Fog. Special food menu all weekend. Crwine.com

NORTH LIBERTY BLUES & BBQ

May 25: Noon to 10 p.m., Liberty Centre, Penn Street and Liberty Way; music, food, games; free admission. Rain date: May 26. Northlibertyblues.org

U.S. CELLULAR CENTER, Cedar Rapids

May 31: Slap N Tickle, ‘80s cover band, 6:30 p.m., free tickets required; June 1: Lady Antebellum, 7:30 p.m., $36.50 to $150; June 22: Barry Manilow, 7:30 p.m., $6.99 to $217. Tickets at U.S. Cellular Center Box Office, 370 First Ave. NE, (319) 362-1729, 1-(800) 745-3000 or uscellularcenter.com/events.html

June

 

MARION BAR-B-QUE RENDEZVOUS

June 1: Noon to 9 p.m., Marion Square Park; food, music. Marionmetrokiwanis.org

CR PRIDE FEST, Cedar Rapids

June 1: 4 to 8 p.m., Greene Square Park; entertainment, vendors, free admission. crpridefest.com

ENGLERT THEATRE, Iowa City

Among the summer’s concerts: June 2: They Might Be Giants, 7 p.m., $25 advance, $27.50 door; July 5: Brandi Carlile, 8 p.m., $32.50 advance, $35 door; July 10: Arlo Guthrie, 8 p.m., $40 and $50; July 14: Dawes, 7 p.m., $20 advance, $23 door; July 19: Mavis Staples, 8 p.m., $35 and $55 (rescheduled from Feb. 21); July 27: Don McLean, 8 p.m., $40 to $65; July 30: John Hiatt & The Combo, 8 p.m., $35 and $45; Aug. 10: The Official Blues Brothers Revue, 8 p.m., $25 and $35; Sept. 6: Dweezil Zappa/Zappa Plays Zappa, 8 p.m., $25 to $60; Englert Box Office, 221 E. Washington St., (319) 688-2653 or Englert.org

CORALVILLE FARMERS MARKET MUSIC

Mondays, June 3 to Aug 26: 5 to 6:30 p.m., Coralville Community Aquatic Center parking lot. Market is open Mondays and Thursdays, 5 to 7 p.m., through Oct. 3. (319) 248-1750 or Coralville.org

CEDAR RAPIDS MUNICIPAL BAND

June 5 to Aug. 4: Various times, Cedar Rapids metro area parks and Hooverfest in West Branch on Aug. 3. Free, bring seating. Crmuniband.org

MARION BY MOONLIGHT

June 6 to 27: 6 to 9 p.m. Thursdays, Marion Square Park, Seventh Avenue and 10th Street. Food vendors, 6 p.m. Bands, 6:30 p.m. June 6: 8 Seconds; June 13: The O’Connell Brothers; June 20: The Magnetos; June 27: Crazy Delicious. Free admission, bring seating. Uptownmarion.com

CORALVILLE’S MUSIC IN THE PARK

Most Thursdays, June 6 to Aug. 8: 6:30 to 8 p.m., S.T. Morrison Park. June 6: The Tornadoes; June 13: Tallgrass; June 20: Iowa City Community Band; June 27: Extra Credit Project; July 18: New Broom; Aug. 1: Sugar Daddys Jazz Band; Aug. 8: The Beaker Brothers. Free admission; bring seating. Coralville.org

IOWA ARTS FESTIVAL, Iowa City

June 7 to 9: Downtown Iowa City; 125 local and national artists, local and national musicians, Old 97’s at 9 p.m. June 8; kids’ activities, food. Summerofthearts.org

HANCHER: PRESERVATION HALL JAZZ BAND TOUR

June 7 to 16: Various sites, free concerts to commemorate fifth anniversary of the Floods of 2008. Des Moines: 8 p.m. June 7, Simon Estes Riverfront Amphitheater, opener at 7:30 p.m.; Council Bluffs: 7:30 p.m. June 8, part of Bluffs Bash, beginning at noon at River’s Edge Park; Muscatine: 7:30 p.m. June 11, Riverfront Park, opener at 7 p.m.; Cedar Rapids: 7:30 p.m. June 13, Brucemore Greenhouse Lawn; Davenport: 7:30 p.m. LeClaire Park Bandshell, opener at 6:30 p.m.; Iowa City: 4 p.m. June 15, Pentacrest; Dubuque: 3 p.m. June 16, McGraw Hill parking lot, part of America’s River Festival, opener at 1 p.m. Hancher.uiowa.edu

MOLLY HATCHET, Riverside

June 8: 8 p.m., Riverside Casino Event Center, 3184 Highway 22. $15 to $22, Casino Gift Shop or Riversidecasinoandresort.com

IOWA CITY COMMUNITY BAND

June 9 to July 14: Various sites, times. Iccband.org

FIVE SEASONS CHAMBER MUSIC FESTIVAL, Cedar Rapids

June 10 to 15: Paid workshops and free concerts. June 14: Harps and flutes, 5 p.m.; strings, piano and brass, 7 p.m.; June 15: Faculty ensembles and festival orchestra, 7 p.m., Mount Mercy University, 1330 Elmhurst Dr. NE. June 16: Josef Zak, violin, and Anna Sedlackova-Zakova , voice, 3 p.m., Christ Episcopal Church, 220 40th St. NE. Fiveseasonschambermusic@gmail.com or Mtmercy.edu/five-seasons-chamber

MARION COMMUNITY BANDS

June 11 and 25: 7 p.m., Marion Square Park, Seventh Avenue and 10th Street. Jazz and Concert bands. Free, bring seating. Rehearsals (all ages invited to perform): Concert band, 7 to 8:15 p.m. May 28, June 4 and 18; Jazz Band, May 30, June 6, 13 and 20, Vernon Middle School Band Room. Marioncommunitybands.us

MUSIC IC 2012, Iowa City

June 13 to 16: Chamber music festival, downtown venues. Main concerts: 7:30 p.m. June 13 to 15; 2 p.m. June 16. Free admission. Uiowa.edu/musicic

ROCKIN ON THE RIVER MUSIC FEST, Cascade

June 14, July 12: 6 to 11 p.m., Cascade Riverview Park. Various bands, food vendor; $5 all ages, bring seating, coolers allowed.

DOWNTOWN FRIDAY NIGHT, Dyersville

June 14, July 12, Aug. 9: 6 to 9 p.m., entertainment, food, games for all ages, firemen’s waterball fights. Dyersville.org

AN EVENING WITH FRIENDS, Cedar Rapids

June 20: 5:30 p.m., 127 Cottage Grove Ave. SE. Kingston Hill outdoor benefit concert by SPT Theatre and friends. Gates open 5:30 p.m., opening band, 5:45 p.m., concert, 7 p.m.; bring seating, picnic. Rain date: June 27. Tickets: $20 advance, $25 gate, (319) 362-1382 or Kingston-hill.com

IRISH DISTRICT MUSIC AND ARTS FESTIVAL, Cedar Rapids

June 22: 1 to 9 p.m., 700 16th St. NE. Family fun with music, dance, art, food, games; bring lawn chairs and coolers, $5 adults, free ages 12 and under with an adult. Headliner: Family Groove Company of Chicago. Irishdistrictfest.com

PARAMOUNT THEATRE, Cedar Rapids

June 23: Styx, 7:30 p.m., $49 to $75; June 25: Merle Haggard, 8 p.m., $35 to $55; Sept. 14: John Prine, 8 p.m. $50 and $60 (rescheduled from March 16); Paramount Box Office, (319) 366-8203 or Paramounttheatrecr.com

LINN COUNTY FAIR, Central City

June 26 to July 1: Grandstand: Alien Ant Farm with Helforstout, 7:30 p.m. June 27, $10 advance, $15 gate; Tracy Lawrence, 7:30 p.m. June 28, $18 advance, $20 gate. Thelinncountyfair.com

PAULA COLE, Cedar Rapids

June 28: 8 p.m., CSPS Hall, Legion Arts, 1103 Third St. SE; $25 advance, $30 door, (319) 364-1580 or Legionarts.org

RIVERSIDE CASINO SUMMER CONCERT SERIES

June 28 to Aug. 24: 9 p.m., outdoor stage, 3184 Highway 22. Bring chairs, no coolers. June 28: Pistol Annies, $35 to $70; July 3: Bad Company, $30 to $70; Aug. 24: Creedence Clearwater Revisited, $25 to $55, Casino Gift Shop or Riversidecasinoandresort.com

CORALVILLE 4thFEST

June 29 to July 4: S.T. Morrison Park. 5K run/walk, carnival, entertainment, contests, food, July 4 parade and 10 p.m. fireworks. Free concert July 3: The Beaker Brothers at 6:30 p.m., 38 Special at 8 p.m. Coralville.org

CEDAR RAPIDS FREEDOM FESTIVAL

June 29: Music Night at NewBo, Simpleton & Cityfolk of Chicago, 8 p.m., NewBo City Market, 1100 Third St. SE; June 30: Patriotic Pops, Orchestra Iowa, 4 p.m., Paramount Theatre, 123 Third Ave. SE. Free admission with $3 festival button. Freedomfestival.com

July

 

IOWA CITY JAZZ FESTIVAL

July 5 to 7: Downtown Iowa City. Well-known jazz musicians, up-and-coming artists, food, kids’ games, fireworks July 5, Saturday headliner Dr. Lonnie Smith. Summerofthearts.org

PRAISE IN THE PARK IOWA, Cedar Rapids

July 6: 3 to 11 p.m., Veterans Memorial Stadium, 950 Rockford Rd. SW. Multiple bands, headliner Jeremy Camp, fireworks; $25 to $40, food donations for Feed the 5,000. Praiseintheparkiowa.org

DELAWARE COUNTY FAIR, Manchester

July 8 to 14: Fairgrounds. Concerts: Sidewalk Prophets, 7:30 p.m. July 10, free, Festival Area; Country Night, 7 p.m. July 11, headliner Justin Moore, 8:30 p.m., grandstand, $35, $50; VIP Night, 7 p.m. July 12, headliner The Beach Boys, 8:30 p.m., grandstand, $60. Delawarecofair.com

CAMP EUFORIA, Lone Tree

July 12 and 13: Two-day music festival’s 10th anniversary celebration, 5335 Utah Ave. SE, rural Lone Tree. Local and regional bands, food, yoga, camping. Headliner: Euforquestra. $85, Midwestix.com Details: Campeuforia.com

NORTH LIBERTY BIRTHDAY BASH

July 13: 11 a.m., North Liberty Park. Community festivities end with evening concert by Hairball, $5. nlbirthdaybash.com

GREAT JONES COUNTY FAIR, Monticello

July 17 to 21: Grandstand: Sheryl Crow and Gary Allan, 8 p.m. July 18, $25, $35; Motley Crue and Tesla, 8 p.m. July 19, $35, $45; Keith Urban, Little Big Town and Dustin Lynch, 7:30 p.m. July 20, $40, $50; TobyMac, Jamie Grace and Capital Kings, 7 p.m. July 21, $20, $25. Greatjonescountyfair.com

UGANDA CHILDREN’S CHOIR, Cedar Rapids

July 19: 6:30 p.m., African American Museum of Iowa, 55 12th Ave. SE. Blackiowa.org

August

 

UPTOWN GETDOWN, Marion

Aug. 1 to 22: 6 to 9 p.m. Thursdays, Marion Square Park, Seventh Avenue and 10th Street. Food, 6 p.m.; live music, 6:30 p.m. Free admission. Marioncc.org

JAZZ UNDER THE STARS, Cedar Rapids

Aug. 1 to 22: 7 p.m. Thursdays, Noelridge Park, 4900 Council St. NE, Cedar Rapids. Aug. 1: Al Naylor and the I-380 Express Reunion; Aug. 8: Brass Transit Authority; Aug. 15: Steve Grismore Trio; Aug. 22: Dennis McMurrin and The Demolition Band. Free admission, bring seating, food available. Kcck.org

319 FEST
August, date and location TBA, $10 early bird tickets, $15 June 1 to Aug. 2, $20 at the gate. 319Fest.com. One day, six stages, 80 performers, 25 artists.

BLUESMORE, Cedar Rapids

Aug. 3: 3 to 10 p.m., Brucemore lawn, 2160 Linden Dr. SE, Cedar Rapids. Music starts at 4 p.m.: LCBS All Star Band, The Scott Holt Band and Lucky Peterson featuring Tamara Peterson; $13 and $15 advance, $20 gate. Food and beverage vendors, bring seating; no pets, coolers, outside food. Brucemore.org

CABARET IN THE COURTYARD, Cedar Rapids

Aug. 8 to 17: 7:30 p.m., gates open 7 p.m., Brucemore, 2160 Linden Dr. SE, Cedar Rapids. Aug. 8 to 10: Singer/actor Christopher Johnstone; Aug. 15 to 17: boogie woogie pianist Chase Garrett. Tickets per show: $18 and $20 advance, $25 gate, (319) 362-7375, Brucemore Store or Brucemore.org

IOWA STATE FAIR, Des Moines

Aug. 8 to 18: Fairgrounds, East 30th Street and East University Avenue. Grandstand concerts: Casting Crowns, 8 p.m. Aug. 8, $30; Happy Together Tour, 8 p.m. Aug. 9, $25; Dana Carvey, Dennis Miller and Kevin Nealon, 8 p.m. Aug. 10, $38; Dierks Bentley, 8 p.m. Aug. 11, $39; Victoria Justice with Pentatonix, 8 p.m. Aug. 13, $29; Toby Keith, 8 p.m. Aug. 15, $49; Train, 8 p.m. Aug. 16, $39; Carly Rae Jepsen and The Wanted, 8 p.m. Aug. 17, $35; Alan Jackson, 8 p.m. Aug. 18, $39. Iowastatefair.org

FRY FEST, Coralville

Aug. 30: Iowa River Landing area. Hawkeye celebration with food, trade show, car show, pep rally, 7 p.m. outdoor concert with Chris Cagle and Dustin Lynch. Fryfest.com

September

 

BRUCEMORCHESTRA, Cedar Rapids

Sept. 8: 7 p.m., front lawn, Brucemore, 2160 Linden Dr. SE, Cedar Rapids; gates open 5:30 p.m. Orchestra Iowa season opening concert; bring seating, picnics. Rain site: Paramount Theatre. Ticket details to come, Orchestraiowa.org

DIVAPALOOZA, Cedar Rapids

Sept. 13 and 14: Theatre Cedar Rapids mainstage, 102 Third St. SE. “Estrogen Force Field” concert with Janelle Lauer, Jane Pini, Lynne Rothrock and band. Details to come, Theatrecr.org

IOWA SOUL FESTIVAL, Iowa City

Sept. 13 to 15: Downtown, free admission. Dance, music, food and art of the African and African-American communities. Headliner: Hancher presents Buddy Guy, 8 p.m. Sept. 13. Summerof thearts.org

IOWA WOMEN’S MUSIC FESTIVAL, Iowa City

Sept. 27 and 28: Various venues, Iowa City. Details to come, Prairievoices.net

LANDFALL FESTIVAL, Cedar Rapids

Sept. 25 to 28: World music festival presented by Legion Arts/CSPS Hall. Details to come, Legionarts.org

THE MUSIC MAN, Cedar Rapids

Sept. 26 to 29: Concert version by Theatre Cedar Rapids and Orchestra Iowa, at the Paramount Theatre, 123 Third Ave. SE. Ticket details to come, Orchestraiowa.org

Source: Event/organization websites, HooplaNow.com/events, event press releases

Audience members applaud Australian musician Claude Hay during the CR Amphitheater Music Fest on Saturday, Aug. 20, 2011, at Greene Square Park in Cedar Rapids. The event, which featured musical acts from a variety of genres, children's activities and food vendors, was a fundraiser for a new amphitheater downtown. (Dan Williamson/Freelance)

REVIEW: Daugherty’s ‘American Gothic’ paints new pictures with thrilling sonic sweeps

Composer, pianist, teacher and Cedar Rapids native Michael Daugherty

CEDAR RAPIDS — Orchestra Iowa took a cheering audience on a wild ride through Grant Wood country Saturday night (5/4/13) with the world premiere of Michael Daugherty’s “American Gothic.”

The 20-minute work in three movements — commissioned by the orchestra for its Paramount Theatre triumphant homecoming season — is brilliant and breathtaking in scope and virtuosity.

This Grammy-winning native son, Daugherty, now 59, is among the world’s most-often performed American classical composers. We are so very, very fortunate that he remains so grounded, so tied to his Cedar Rapids roots that he jumped at the chance to not only create a work for the orchestra, but to spend a week lecturing, conducting, performing, meeting and signing autographs with area students and audiences.

Saturday’s 1,000+ Paramount audience crackled with excitement in the lobby, in a packed Insight discussion before the concert and in the spontaneous eruption of cheers, applause and an immediate standing ovation following the final notes. In a break with tradition, the audience also applauded between movements of the work. It was that outstanding.

In a very smart and much-appreciated move, Daugherty, a professor of composition at the University of Michigan in Ann Arbor, came onstage before the piece to give us a slide show and explanation of the music we’d be hearing. He took us on a pictorial journey through his childhood, as the eldest of five brothers who are all now professional musicians scattered across the country, then moved into the Grant Wood paintings and lithographs that inspired his “American Gothic.”

We knew that when the snare drum rolled at the start of the piece, we were hearing a tribute to Daugherty’s late father, Willis, a dance band drummer of regional renown who also led a decade of tours at 5 Turner Alley, the Cedar Rapids studio where Wood painted “American Gothic.” When the three trombones and tuba united near the end of that movement, we knew it was in homage to Iowa’s barbershop quartet heritage, captured in Wood’s 1939 lithograph, “Shrine Quartet,” and that Wood, himself, sang in a Shrine quartet.

All the details Daugherty shared with us sprang to life as the music unfolded.

“On a Roll” took us on a roller coaster ride through the hills and valleys of Wood’s Eastern Iowa homeland. “Winter Dreams” painted a haunting, stirring picture of Depression-era desolation amid whipping winter winds and snowdrifts. “Pitchfork” — as sharp and witty as the iconic centerpiece of Wood’s “American Gothic” — gave us a rousing hoedown finale leading to a thunderous audience ovation.

Like Wood’s art, Daugherty’s work is complex, layered, evocative and laced with humor. The Paramount’s retooled acoustics let all the solo voices shine, from piccolo and alto flute to rapid-fire tuba. Oboe, French horn, clarinet, percussion, strings, trumpet — all had their moments of glory.

Grant Wood's stark 1940-41 lithograph, "January," was the inspiration for the "Winter Dreams" movement in Michael Daugherty's "American Gothic," a three-part work commissioned and premiered May 4, 2013, by Orchestra Iowa at the Paramount Theatre in Cedar Rapids. (Cleveland Museum of Art)

A special shout out, however, goes to the guest concertmaster, Julliard student Luke Witchger of Omaha. Not only does he handle all the demanding classical and avant-garde violin demands with grace and impeccable style, he rips through some darned good orchestral bluegrass like an Appalachian pro. That summer he spent at fiddle camp — which he admits to with a shake of his head — really paid off.

That was the sheer joy of the final movement. Orchestral bluegrass. How many times do you see that in a sentence? Or the final crash of the harp on “Winter Dreams” or the opening mallets on everyday glass bottles from the farm on “American Gothic.” That’s typical Daugherty — full of surprises when you least suspect them. Listeners never know what to expect from him, but it’s always magnificent and a joy to behold.

The concert opened with “The Rock,” a lesser-known work by Sergei Rachmaninoff, and closed with Antonin Dvorak’s Symphony No. 7 in D minor. Both pieces tell stormy tales — the first of a blizzard, the latter punctuated by aural thunder and lightning — making them perfect pairings for Daugherty’s environmental theme.

With all the wildness crashing around, each composer gives us gorgeous, shimmering passages that just make you say, “ahhhh.” And Maestro Timothy Hankewich, always so focused and in command, especially during Daugherty’s demanding artistry, got to relax and dance in his signature style through the Dvorak, making this final work as fun to see as it was glorious to hear.

This triumphant concert repeats at 2:30 p.m. Sunday (5/5/13) at West High School in Iowa City and May 12 at Ottumwa’s Bridge View Center. Orchestra Iowa will record “American Gothic” next week, and CEO Robert Massey says it will air on Iowa Public Radio later this year.

Related: Orchestra Iowa premieres ‘American Gothic’

REVIEW: ‘The Broken Chord’ resonates with honesty, simplicity, beauty

Mother (Saffron Henke, from left), son (Tim Budd) and daughter (Kristy Hartsgrove Mooers) embrace and dance during a March 27 rehearsal for "The Broken Chord," at the Englert Theatre in Iowa City. The play focuses on Alzheimer's disease and dementia, and uses emotion and body movement to illustrate ideas. The show opened April 12 and continues through April 14 at the Englert. (Kaitlyn Bernauer/The Gazette-KCRG9)

IOWA CITY — At intermission, the woman next to me said what I was about to say to her: “This is my life.”

Afterwards, she was in tears and I was fighting back mine. A mutual friend introduced us Friday night, and who knows when or if we’ll see each other again. But for two hours, we were united in the shared experiences of “The Broken Chord,” onstage through Sunday (4/14) at the Englert Theatre.

This is another brilliant Hancher commission by Working Group Theatre, a small professional troupe of the highest achievement. Time and again, founders Sean Christopher Lewis, Jennifer Fawcett and Martin Andrews have gathered their colleagues to cast light on the shadows swirling around us all.

Theater originated to educate audiences through artistic expression — to present complex issues in a way the masses could understand. That is exactly what the Working Group cast and crew have done with the world of Alzheimer’s disease and dementia.

To call them “actors” seems inadequate. Their specialty is illumination through immersion in some of the most difficult situations facing society today, from Michigan’s crumbling auto industry in “Rust” to race relations in last year’s Hancher commission, “Mayberry.”

They spent a year researching Alzheimer’s disease through the eyes of patients, their families, medical professionals and caregivers. Several of the actors trained as hospice workers, to provide bedside comfort through patients’ final days.

They met with panels of health care professionals, shared their project with students across a wide variety of disciplines at the University of Iowa, conducted storytelling workshops with patients and presented mountains of material to playwright Fawcett.

Their deep, deep delving now sings with the utmost beauty onstage — a poetic ballet of heartbreaking humanity that brought the opening night audience to laughter, tears, gasps, silence and a most deserved standing ovation.

Every aspect of this show is elegant, with director Lewis seamlessly weaving theatrical devices into a rich tapestry that flutters and envelops the audience into the action.

Objects and poles and sails fly in and out, creating scenery real and unreal, sometimes stopping overhead, other times engulfing the characters. Gorgeous music captures the very essence of every mood, from harrowing to humorous, anxious to exhilarating. And the lighting. So stark one moment, so perfect in another, as delicate tubes and twinkle lights take us into the fragile realm of sweet memories.

The main story involves two adult children tearing themselves apart trying to join forces in caring for their stricken mother. This new mission reopens old wounds and their frustration is palpable.

On the periphery is a Greek chorus of actors who present other common scenarios — the husband of a wife with early-onset Alzheimer’s, a chaplain reaching out to physically and spiritually touch the afflicted, an older wife clinging to a lifetime of memories, and adult children on very different, yet similar paths.

All of the performances are stellar, but Saffron Henke is utterly magnificent as the mother, Helen, a Ph.D. archivist — a preserver of memories who cannot stop her own from slipping away. We see and feel her transformation, her anguish and her frailty every step of the way. Tim Budd and Kristy Hartsgrove Mooers sweep us into their journey through sibling anger, resentment, frustration, unity,  resignation and acceptance.

Dancer Elizabeth June Bergman brings fluidity to the churning emotions, like a delicate music box dancer embracing an invisible partner, cradling a child or cradling memories, savoring their touch. The other actors follow her lead, in moments charming and sweet.

This is an experience not to be missed. It will stay with you long after the lights dim and the memories fade.

ARTS EXTRA

What: Hancher presents “The Broken Chord,” by Working Group Theatre

Where: Englert Theatre, 221 E. Washington St., Iowa City

When: 7:30 p.m. April 13; 2 p.m. April 14, 2o13

Tickets: $10 to $35 at the door or Hancher.uiowa.edu

Related story

 

 

Comic comes home to record second album

Comedian Tom Garland MC's The Catacombs of Comedy at the Iowa City Yacht Club Monday April 8, 2013. Garland's performance at Penguin's Comedy Club in Cedar Rapids on Thursday, April 18, will be recorded for his second standup album.(Justin Torner/Freelance)

Tom Garland won’t quit.

When a fellow buddy busted school-aged Garland for telling a stolen joke as if it was his own, it didn’t stop the comedy career that he didn’t know he’d begun. After a humor piece the Cedar Rapids resident penned for Xavier High School’s student newspaper incited controversy, Garland continued to seek opportunities to be funny on the page. And even when an audience doesn’t respond favorably to his persona, the 24-year-old comic simply plows forward.

“The guy your roommate always has over,” is how Garland described his stage self. “I think my act comes off a little rough around the edges … It’s almost a delusional winner. In a lot of my jokes, I come out on top even if they’re self-deprecating.”

The reward for Garland’s perseverance? Success, of course. Just a few months shy of his 25th birthday, Garland’s resume includes a stint in Las Vegas opening for Steve-O and Tom Green.

On Thursday, April 18, the spotlight will center on Garland. For the first time he will headline his hometown stage at Cedar Rapids’ Penguin’s Comedy Club and record “Unleashed,” the follow up to his debut comedy release, 2012’s “Leash Your Kids.”

“(It’s) a brand new hour of my standup,” Garland said. “It’s kind of cool because, pretty much, I got done with the last one and began writing the next day.”

The details

  • Tom Garland Live Album Recording
  • 7:30 p.m. April 18
  • Penguins Comedy Club at The Vault
  • Tickets: $5

The album is scheduled for a June release and is slated to include an intro from comedian and former MTV star Andy Milonakis. Much of the material will focus on Garland’s trifecta of universal comedy themes: childhood, food and relationships.

Garland waited until he was 21 to step onstage. He and his friends made some comedic videos but hit a bump when they started getting cold feet about having their names and faces associated with the content in this world where every job applicant is subject to a Google search. Doing stand-up was simply a way for Garland to express his ideas.

He mentioned the idea to his idol Ralphie May after he performed a stellar set at The Englert Theatre in Iowa City – “it was so cool to see him destroy,” Garland recalled – and the comic encouraged his young fan to try it out.

“I thought, honest to God, I’d only do it once or twice,” he said. “I went down there, I got laughs, and it went well.”

Comedian Tom Garland MC's The Catacombs of Comedy at the Iowa City Yacht Club Monday April 8, 2013.(Justin Torner/Freelance)

That was over three years ago and since then, Garland has opened for comedians including BJ Novak and Michael Ian Black and even helped create opportunities for other Iowa City-Cedar Rapids Corridor comics to perform locally.

“Tom came to us a couple of years ago with this idea for an open mic comedy night,” recalled Scott Kading, owner and talent buyer for the Iowa City Yacht Club, via email. “They have evolved into standing-room only nights that are very successful. There was definitely a need in Iowa City for an open mic night and comedy is doing better and better in town.”

Garland now hosts the venue’s weekly comedy night, a duty he’s also filled at Iowa City’s First Avenue Club and Penguin’s.

“He is entertaining and professional and keeps the crowd engaged and the show running smoothly,” Kading wrote.

The comedian is now aiming to step away from being the master of ceremonies. He’s focused on getting TV and syndicated radio opportunities and more shots as the main attraction.

“You constantly want to keep the hype up if you want to stay in it,” Garland said. “For the most part, if I’m the headliner, I’m pretty confident about what I’m bringing to the table.”

Memory Play

In his first inaugural address, Abraham Lincoln spoke of “the mystic chords of memory” strong enough to stretch and bind a nation divided until its people would again sing in harmony.

But what happens when the chords of memory break into dissonance? When memories strong enough to light the corners of our minds fade into darkness?

Iowa City’s Working Group Theatre has devoted the past year to exploring the worlds of Alzheimer’s disease and dementia, interviewing patients, their family members, caregivers, social services workers and medical professionals in the Corridor. Some members of the professional theater troupe even trained to became hospice workers, to deepen their research, understanding and experience.

The final product  — “The Broken Chord” — will premiere April 12 to 14 at the Englert Theatre. The event is a Hancher commission, following on the heels of last year’s “Mayberry” commission, in which Working Group explored race relations in Iowa City.

With a similar theatrical structure, nine actors will embody various roles in this memory play, using a full gamut of raw emotions, dance, flying wisps of scenery and dramatic lighting and sound to cast light on a world that touches everyone in some way.

“Anyone who has ever cared for someone with dementia or had any relationship with someone who had a chronic illness will see themselves in the play and will learn something about both themselves and others who have gone through the same thing,” says Dr. Christopher Okiishi, 44, of Iowa City, a psychiatrist who walks in those worlds professionally, personally and as an actor in “The Broken Chord.”

The details

“People who come to this play will realize they’re not alone, which for me is particularly touching, because my grandmother (a psychologist) ran an Alzheimer’s caregivers’ support group for a number of years. It was one of the last professional activities she continued to maintain as she began struggling, herself, with forms of dementia,” Okiishi says.

“I don’t think anybody has escaped it. It’s out there in everyday life,” Chuck Swanson, Hancher’s executive director, says of Alzheimer’s disease. “It’s one of those issues that’s just tied so closely to the world.”

According to the Alzheimer’s Association, more than 5 million Americans are living with the disease, which is the sixth leading cause of death in the United States, and in 2012, 15.4 million family and friends provided 17.5 billion hours of unpaid care to people with Alzheimer’s and other dementias.

“People are touched by it, but not everybody is involved personally, so to be able to see and really observe what happens in a given situation will be eye-opening” for audience members, Swanson says. “The great power of theater is that we can really feel the difficulties and feel the strains and the day-to-day pressures that people have to deal with in a situation like this.”

The play, based on fact, follows a fictional storyline of a mother afflicted with Alzheimer’s disease and her two children “trying to figure out what to do with her,” says Working Group co-founder and actor Martin Andrews, 37, of Iowa City.

The mother figure is a composite drawn from all the stories presented to Working Group playwright Jennifer Fawcett to distill into a cohesive play structure. Director is her husband and collaborator, Sean Christopher Lewis. Their careers are rooted in creating socially responsible theater.

During the research phase, Working Group participants heard “stories over and over again about families falling apart because of this,” Andrews says. “I haven’t perfected this image (but) if it is a rope stretched out into a line, solving the problem should be going from Point A to Point B. You have all of these family members who can’t solve these problems because there are all these knots in the way — all the baggage that comes with being a human being in a family. When you have this crisis in the center of it, it all falls apart.”

But what Fawcett saw shining through the difficulties, obstacles, heartache and depression was a surprising spirit of resilience, laced with humor.

“I interviewed a woman in Cedar Rapids who nursed her husband through it,” says Fawcett, 38, of Iowa City. “He passed away a few years ago, and she’s amazingly positive and strong and wants to talk about it.”

Through such revelations, Fawcett saw time and again “what we as people are able to do when faced with the situation.”

She was amazed by “people who have had to deal with caring for a spouse or parent as if they were an infant, and doing that on a day to day to day to day to day basis, (can) still be able to laugh and be able to love them after all that.”

Those moments bring charm to the show.

“The play, in addition to being truthful about dementia in all its harrowing ways, is also surprisingly romantic,” Okiishi says, “in that many of the people that are in care-giving situations are caring for the loves of their life, and what that means to be with someone throughout the entirety of the experience.”

Particularly satisfying for Swanson is the way Hancher has been involved with the creative process in this project, taking the University of Iowa arts organization well beyond its usual, primary role of securing grants to cover about $60,000 in artists’ fees and presentation expenses for this show.

“Hancher’s been involved in close to 100 commissions,” Swanson says. “Part of our mission is commissioning new work, is giving artists the opportunity to create art. We want to keep art alive. The joy of being able to work with Working Group Theatre is that they’re right here.”

Hancher helped facilitate workshops that provided the actors with feedback from Alzheimer’s experts and audience members. The project also has taken Hancher and Working Group into UI classrooms, spanning the academic realms of rhetoric, social work, nursing, public health and the anthropology of aging.

“It’s so wonderful to be able to use the arts as a way enrich that classroom experience,” Swanson says, “then we get the students to come to the performances. That’s very important to what we do. … We want to make a difference in the lives of the students,” as well as the community.

Director Lewis is proud of the project and is looking toward its life beyond the Englert premiere.

“I’m hoping that it’s gonna be our coming-out party,” says Lewis, 35, of Iowa City. “The issues and themes of the play are so universal — I think it’s some of the best work that we’ve done, all the way around. It’s the most full realization of the documentary married to the stage poetry married to a visual life.”

 

Related: The Postcard Project — What is a memory you would not want to forget? Write it on a vintage postcard at The Java House, Home Ec. Workshop, The Haunted Bookshop, Oasis Falafel, Iowa City Senior Center, Prairie Lights and T-Spoons in Iowa City. Postcards will be displayed at the Englert and on social media.

(from left) Kristy Hartsgrove Mooers, playing the part of Amy, and Tim Budd, playing the part of Jacob, argue over what to tell their mother, Helen, played by Saffron Henke at rehearsal for the Broken Chord at Englert Theater in Iowa City on March 27, 2013. (Kaitlyn Bernauer/The Gazette-KCRG9)

Actress Amber Tamblyn bringing her poetry to Mission Creek Festival

Amber Tamblyn

Leave them wanting more. That’s a formula for success in everything from the arts to dating.

Poetic in its simplicity, it’s the driving principle behind The Drums Inside Your Chest Series, a performance poetry project launched six years ago by writers Amber Tamblyn and Mindy Nettifee. It’s coming to Iowa City’s Mission Creek Festival at 7 p.m. April 7 at the Englert Theatre.

An award-winning poet, Tamblyn, 29, a California native who now lives in Brooklyn, N.Y., is perhaps better known for her lead role in television’s “Joan of Arcadia,”  young Emily Quartermaine on “General Hospital,” 15 episodes of “House” and in cinema’s “The Sisterhood of the Traveling Pants” and its sequel, as well as “127 Hours.”

She’s been acting since age 9, but discovered another voice through poetry at age 12.

She came to Prairie Lights Books in Iowa City in 2009 to read from her critically acclaimed collection, “Bang Ditto.” There, she heard about the Mission Creek Festival. Intrigued, she attended in 2010 and gave a reading at The Mill last year when actor/comedian David Cross, whom she married in October, presented a sold-out Mission Creek show at the Englert.

She loves that so many top artists and writers are gathered in a small space, small festival that feels huge.

“If South by Southwest and AWP (Association of Writers conference) had a baby, it would be that,” she says of Mission Creek, which is centered in various downtown Iowa City venues.

She’s looking forward to turning even more people onto the joys of poetry in her own Englert event, billed as a “shoulder-shaking, heart-charging poetry variety show experience.”

The shows typically blend poetry with art — like her book in progress, a melding of her poetry and Marilyn Manson’s artwork.

The details

  • What: Write Now Poetry Society Presents: The Drums Inside Your Chest Series
  • Featuring: Amber Tamblyn, Emily Wells, Beau Sia, Patricia Smith, Derrick Brown, Jennifer L. Knox and Rachel McKibbens
  • When: 7 p.m. April 7
  • Where: Englert Theatre, 221 E. Washington St., Iowa City
  • Tickets: $10 to $15 general admission, at Englert Box Office, (319) 688-2653 or Englert.org
  • Information: Missionfreak.com
  • Artist’s website: amtam.com and Thedrumsinsideyourchest.com

The first “Drums” show, staged in Los Angeles in 2007, brought together top poets from the academic and slam worlds, for crisp, tight 12- to 15-minute vignettes with music or comedy in between to “cleanse the palette.”

“What an amazing, great way to expose people to poetry shows (who) cannot stand poetry, that loathe it,” Tamblyn says by phone from Los Angeles, where she’s shooting an action pilot for CBS, titled “Anatomy of Violence.”

That initial poetry show was so successful that Tamblyn helped establish the nonprofit Write Now Poetry Society to create a new audience for the literary art all over the world.

“Our idea is to create unique poetry programming and to widen the audience for poetry shows physically, which then, by its own merit, will get more poetry fans onboard,” she says.

That concept evolved into a 2011 “Drums” show at the Getty Museum in Los Angeles that blended commissioned poems inspired by 18th and 19th century watercolors, some set to music, all read by the celebrated poets, as well as actress America Ferrara and goth-rocker Manson.

“That’s our idea of what a poetry show is. It’s a large, large landscape,” Tamblyn says. “We’re not interested in open mic. We’re not interested in anything other than a very tight, succinct show in which you leave an audience going, ‘I would love to have heard 15 more minutes of that poet.’ Leave them wanting more. … Tight and short and to the point.”

The Iowa City show will feature a who’s who lineup, including Tamblyn, Nettifee, Patricia Smith, Beau Sia, Rachel McKibbens, Derrick Brown and Jennifer L. Knox, with musician Emily Wells.

Tamblyn’s artisty is a combination of nature and nurture. One grandfather performed in vaudeville, another was a violinist; her father, Russ Tamblyn, is a singer, dancer, actor who played Riff in the 1961 film version of “West Side Story”; and her mother, Bonnie Murray Tamblyn, is a singer and recording artist.

“I was raised around a lot of poets and artists,” Tamblyn says. Family friend, the poet Jack Hirschman, nurtured her interest in writing, encouraging the 12-year-old to read her poetry out loud at the dinner table.

She says she felt and understood the power of poetry at that young age and became “obsessed” with chapbooks, selling her own at school.

“I still have the two that I published that were really beautiful,” she says. “One is called ‘Plenty of Ships’ and the other one is called ‘Of the Dawn.’ … It’s what any kid would do when they’re trying to discover themselves. It’s part of the beautiful thing that is juvenilia. I don’t believe anyone creates anything bad in that time period. … I look at them and I see a young girl who was on a soap opera for seven years, trying to define herself outside that superficiality.

“That’s where it started,” she says of her reflective poetry that blends her career paths. It gave her a way to make sense of the make-believe world of acting.

“I wrote a lot, and it was very important that I wrote a lot,” she says. “I documented so much, so many of these experiences, which has made me the writer that I am today.”

She’s developed an edgy style that’s infused with humor, to strike a balance and perspective between her professional worlds, oftentimes stripping away the celebrity to show the real person beneath the facade.

“I have a poem called ‘Headlock Heart Choke,’ about drinking heavily with Hugh Laurie. It turns into this really dirty, over-sexualized poem, and Hugh loves it,” she says of the “House” star. “He’s a big supporter of my poetry. He gave Mindy and I a huge donation to our poetry nonprofit.”

Tamblyn calls writing “an exorcism and a haunting, at the same time.”

“It’s therapeutic,” she says. “It’s important, because I feel like some of the great writers have something to say, that there is a story about them that is unique. … My hope is to at least let people feel that, ‘Hey, that’s interesting. I learned something from that poem.’ If I did that, then I did my job.”

Want more? Check out our Mission Creek map for updates.

 

Summer of the Arts ready to crank up the heat with downtown Iowa City festivals

Old 97's will rock the Iowa City Arts Festival on June 8, 2013. (Old 97's photo)

Iowa City is gearing up for a Summer of the Arts 30th anniversary free smorgasbord of artistic flavors filling the downtown with everything from movies to music, fine arts and food, as well as Hancher collaborations.

New to the lineup is the Iowa Soul Festival, bringing gospel groups, drums and dance and funky vibes from Sept. 13 to 15.

“Our goal is that everyone has soul, and we in Iowa City uniquely have the ability to bring people together to celebrate the greatness that diversity brings to our community, brings to the region and brings to Iowa,” says Chad Simmons, executive director of Diversity Focus in the Corridor, which is presenting the Soul Festival.

One thing that won’t be filling downtown streets this year is sand. Debuting in 2009, Sand in the City became “logistically challenging for us,” according to Lisa Barnes, Lisa Barnes, executive director of Iowa City’s Summer of the Arts. That event is moving up to Cedar Rapids as a new Freedom Festival attraction.

Also new is a partnership between the University of Iowa and Summer of the Arts to bring under the umbrella the MusicIC chamber music and literature festival June 13 to 16. Among the highlights are the musical setting of a new poem by Marvin Bell and the return of Iowa City natives Conor Hanick on piano and soprano Meagan Brus.

Fireworks will explode over downtown Iowa City during the Jazz Festival on July 5, 2013. (Summer of the Arts photo)

The mainstay events are bringing out the heavy-hitters, with the Old 97′s cowboy rockin’ the Iowa Arts Festival on June 8 and for the sizzling hot Iowa City Jazz Festival, fireworks on July 5, Dr. Lonnie Smith on July 6 and Pharoah Sanders on July 7.

The Friday and Saturday Night concert series bring out the best in local and regional bands across all genres. The Friday series is expanding into September, launching May 17 with a Hancher concert by Terrance Simien & the Zydeco Experience.

The ever-popular Free Movie Series opens with “Victoria/Victoria” on June 15, coinciding with Iowa City’s Pride Fest, and closes Aug. 22 with “The Hunger Games.” In between, are movies targeting various ages and interests, from Alfred Hitchcock’s “Vertigo” to the animated “Ice Age” and “Monsters Inc.” Films are shown on a big screen outside Macbride Hall on the UI’s Pentacrest.

It’s still early in the season, so some festivals will be adding shows to their lineups in the coming weeks. Want to get in on the action behind the scenes? It takes more than 450 volunteers to make the events run smoothly. Check Summerofthearts.org for updates and volunteer opportunities.

 

2013 Friday Night Concert Series

May 17: Hancher presents Terrance Simien & the Zydeco Experience

May 24: David Zollo

May 31: Johnny Kilowatt with Gloria Hardiman

June 14: Tallgrass

June 21: The Fez

June 28: Orquesta Alto Maiz

July 12: Bambu

July 19: Feralings; Awful Purdies

July 26: Ben Soltau and the Funk Guarantee

Aug. 2: Jesse White Band; Chasing Shade

Aug. 9: The Ramblers

Aug. 16: Kevin “B.F.” Burt & Big Medicine

Aug. 23: Jake McVey

Aug. 30: Uniphonics; Chazman Band

Sept. 6: 6 p.m. Hawkeye Hometown Huddle, then Zeta June; Fire Sale

Sept. 20:  Dead Larry

Sept. 27:  6 p.m. Hawkeye Hometown Huddle, then OSG

 

2013 Saturday Night Concert Series

May 18: City High & West High Jazz Ensembles

May 25: Tony Brown & the Earth Riddim Band

June 1: Adam Ezra (tentative)

June 15: TBA

June 22: Dan Dimonte and the Bad Assettes

June 29: TBA

July 13: The Beaker Brothers

July 20: Aaron Kamm & the One Drops

July 27: Bonnie Finken

Aug. 3: Sean Costanza Band

Aug. 10: House of Escher

Aug. 17: TBA

Aug. 24: Parranderos Latin Combo

 

2013 Iowa Arts Festival

June 7

4 to 11 p.m.: Culinary Row

5 to 8 p.m.: Art Fair & Downtown Gallery Walk

5 to 11:30 p.m.: Beverage Garden

Main Stage: 7 p.m. Redbird; 9 p.m. Richard Thompson Electric Trio

June 8

10 a.m. to 7 p.m.: Art Fair & FUN Stops

10 a.m. to 3 p.m.: Children’s Day

10 a.m. to 3 p.m.: family Stage Entertainment

11 a.m. to 11 p.m.: Culinary Row

Noon to 11:30 p.m.: Beverage Garden

Main Stage: noon Mutiny in the Parlor; 1:30 p.m. Slewgrass; 3 p.m. The Beggarmen; 5 p.m. Kelly Pardekooper; 7 p.m. Eilen Jewell; 9 p.m. Old 97’s

June 9

10 a.m. to 4 p.m.: Art Fair & FUN Stops

10 a.m. to 3 p.m.: Family Stage Entertainment

10 a.m. to 3 p.m.: Global Village

11 a.m. to 5 p.m. Culinary Row

Noon to 5 p.m.: Beverage Garden

Main Stage: 9:45 a.m. UI Steel Drum Band; 11 a.m. Rachael Marie;  11:45 a.m. MovMnt Dance Group; 12:45 p.m. Iowa City Community Band; 2 p.m. Christy Brown-Kwaiser; 2:40 p.m. William Danger Ford; 3:20 p.m. Milk & Eggs; 4 p.m. Sam Knutson

 

BIOS:

Richard Thompson Electric Trio: Richard Thompson was born in West London, surrounded by a family with wide musical tastes. Counted among his early influences are Django Reinhardt, Fats Waller, Les Paul, and Jimmy Shand. Flip the coin from his father’s jazz record collection to the early rock and roll music made available to him through his elder sister, including Buddy Holly and Jerry Lee Lewis’ Great Balls of Fire, and the eclectic diversity of his multi-generational career becomes clear. Many musicians peak by age 30, but not Richard Thompson. The recipient of BBC’s Lifetime Achievement Award and named by Rolling Stone Magazine as one of the Top 20 Guitarists of All Time, Richard Thompson is also one of the world’s most critically acclaimed songwriters. Robert Plant, REM, Elvis Costello, Los Lobos, David Byrne, Del McCoury, Bonnie Raitt and many others have recorded his work. Yet this may be the most prolific period of Richard Thompson’s astonishing career; his live-tour CD Dream Attic was nominated for a Grammy Award in the category of Best Contemporary Folk Album. In 2010 Thompson was curator at London’s prestigious 2010 Meltdown Festival at South Bank Centre, and for his service to music – was named on the Queen’s 2011 New Year Honours List as an Officer of the Order of the British Empire (OBE). In 2011 Thompson received an Honorary Degree of Doctor Honoris Causa (DHC) from the University at Aberdeen for his exceptional and distinctive contribution to contemporary music . Artist Music and Video

Old 97’s: Although they became one of the most enduring bands in the alternative country-rock catalog, Old 97′s drew inspiration from a broad range of genres, including the twangy stomp of cowpunk and the melodies of power pop. Formed in 1993 by frontman Rhett Miller and bassist Murry Hammond, the group spent the bulk of the decade posed on the brink of mainstream success, issuing albums that often drew warm reviews but never yielded a substantial hit. Old 97′s tightened their sound as the decade drew to a close, retaining their bar-band vigor while introducing a stronger pop/rock sound on albums like Too Far to Care and Satellite Rides. Miller also mounted a solo career in the early 2000s, but the band remained together nonetheless, continuing to release material with their original lineup intact into the following decade. Artist Media

 

2013 MusicIC Schedule:

June 13:  Trinity Episcopal Church, 7:30 p.m. Music for Soprano and String Quartet with a world premiere by composer David Gompper, setting a new poem by Marvin Bell (MusicIC commission)

June 14:  Trinity Episcopal Church, 7:30 p.m. Music for Soprano and Piano with pianist Conor Hanick and soprano Meagan Brus

June 15: Englert Theatre, 7:30 p.m., Igor Stravinsky’s “L’Histoire du Soldat,” with text by Kurt Vonnegut, choreography by George de la Pena, direction by Saffron Henke

June 16: Iowa City Public Library, 2 p.m. A Family Concert: Ferdinand the Bull and Other Favorites – with Music!

 

2013 Free Movie Series:

June 15: “Victor/Victoria,” PG; 132 minutes; 1982

June 22: “Ice Age,” PG; 81 minutes; 2002

June 29: “The Help,” PG-13; 146 minutes; 2011; Pre-movie performance by the Iowa City Community Band

July 13: “Real Genius,” PG; 108 minutes; 1985

July 20: “Vertigo,” PG; 128 minutes; 1958

July 27: “Hairspray,” Rated PG; 117 minutes; 2007

Aug. 3: “Lincoln,” PG-13; 150 minutes; 2012

Aug. 10: Double Feature Night: “The Princess Bride,” PG; 98 minutes; 1987 and “16 to Life,” not rated; 100 minutes; 2009

Aug. 17: “Monsters Inc.,”  G; 92 minutes; 2001; pre-movie performance by UI Spirit Squad and area cheerleaders

Aug. 22: “The Hunger Games,” PG-13; 142 minutes; 2012

 

2013 Iowa City Jazz Festival:

July 5

4 to 8:30 p.m.: FUN Zone

4 to 10:30 p.m.: Culinary Row

4 to 11 p.m.: Beverage Garden

9:45 p.m. Fireworks

Main Stage: 4:30 p.m. United Jazz Ensemble; 6 p.m. Laranja; 8 p.m. Sachal Vasandani & the Iowa Jazz Orchestra

July 6

11 a.m. to 10:30 p.m.: Culinary Row

Noon to 8:30 p.m.: FUN Zone

1 to 11 p.m.: Beverage Garden

Main Stage: 2 p.m. North Corridor Jazz All Stars; 4 p.m. Charlie Hunter & Scott Amendola Duo; 6 p.m. Christian Scott Quintet; 8 p.m.  Dr. Lonnie Smith

 July 7

11 a.m.. to 10 p.m.: Culinary Row

Noon to 8:30 p.m.: FUN Zone

1 to 11 p.m.: Beverage Garden

Main Stage: 2 p.m. Philip Dizack Quartet; 4 p.m. JD Allen Trio; 6 p.m. Fred Hersch Trio; 8 p.m. Pharoah Sanders

 

BIOS:

Dr. Lonnie Smith and fans at the 2010 Iowa City Jazz Festival were very disappointed when a severe thunderstorm kept Smith from taking the stage. We’re pleased to have the opportunity to bring back someone as imperial and pertinent to jazz as Dr. Lonnie Smith. The organist is an unparalleled musician, composer, performer and recording artist. An authentic master and guru of the Hammond B-3 organ for more than five decades, he has been featured on over seventy albums, and has recorded and performed with a virtual “Who’s Who” of the greatest jazz, blues and R&B giants in the industry. Consequently, he has often been hailed as a “Legend,” a “Living Musical Icon,” and as the most creative jazz organist by a slew of music publications. Jazz Times magazine describes him as “a riddle wrapped in an enigma wrapped in a turban!”

Always ahead of the curve, it is no surprise Smith’s fan-base is truly worldwide. Smith has been amused to find himself sampled in rap, dance and house grooves while being credited as a forefather of acid jazz. When questioned about his consistent interest in music some consider outside the jazz “mainstream,” LSmith shrugs. “Jazz is American Classical,” he proclaims. “And this music is a reflection of what’s happening at the time. … The organ is like the sunlight, rain and thunder … it’s all the worldly sounds to me.”

Pharoah Sanders is a Grammy Award-winning American jazz saxophonist. Saxophonist Ornette Coleman once described him as “probably the best tenor player in the world.” Emerging from John Coltrane’s groups of the mid-1960s Sanders is known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of “sheets of sound.” Sanders is an important figure in the development of free jazz. Born Ferrell Sanders, the name ‘Pharoah’ was claimed to have been iven to him by fellow band member and legendary pianist and composer Sun Ra. Sanders played with John Coltrane’s band for about a year beginning in late 1964, the same year he recorded his first album as a leader. Most of his late-1960’s albums were released on the Impulse, his first major label.

In the 1970s, the tenor saxophonist continued to develop his abilities as bandleader, working with the likes of Alice Coltrane, McCoy Tyner, and Don Cherry and producing highly acclaimed albums for Impulse such as Black Unity (1971) and Thembi (1971). In 1994, he travelled to Morocco to record with master Gnawa musician Maleem Mahmoud Ghania, resulting in the Bill Laswell-produced The Trance of Seven Colours. Sanders continued to work with Laswell, Jah Wobble, and others on the albums Message from Home (1996) and Save Our Children (1999). In 2000, Sanders released Spirits — a multi-ethnic live suite with Hamid Drake and Adam Rudolph. In the decades after his first recordings with Coltrane, Sanders developed into a more well-rounded artist, capable of playing convincingly in a variety of contexts, from free to mainstream. Some of his best work is his most accessible. As a mature artist, Sanders discovered a hard-edged lyricism that has served him well.

 

2013 Iowa Soul Festival

Sept. 13

5 to 10 p.m.: Culinary Row

5 to 11 p.m. Beverage Garden

Main Stage: 5:30 p.m. Kevin “B.F.” Burt and Big Medicine; 8 p.m. TBA Special Performance presented by Hancher

Sept. 14

11 a.m. to 7 p.m.: Arts & Crafts Booths, FUN Zone

11 a.m. to 11 p.m.: Culinary Row

1 p.m. to midnight: Beverage Garden

Main Stage: 10 a.m. Tony Brown; noon Funk Stop; 2 p.m. Ayodele Drum and Dance (tentative); 3:15 p.m.  TBA; 5:30 p.m. Carlos Johnson featuring Demetria Taylor; 8 p.m. Mint Condition; 10 p.m. TBA

Sept. 15

11 a.m. to 5 p.m.: Arts & Crafts Booths, FUN Zone. Culinary Row

1 p.m. to 5 p.m.: Beverage Garden

Main Stage: 10 a.m. Johnny Kilowatt featuring Gloria Hardiman; 11:30 a.m. Groove Theory; 1 p.m. Local Gospel Choirs; 2:30 p.m. Hargrove Family Choir, James Teague Gospel; 4:15 p.m. Jason Watson

 

BIOS:

Mint Condition: Once upon a time there were great funk/R&B bands like Earth Wind & Fire, The Meters, War, Kool & The Gang, Slave, and numerous others who constantly broke down musical barriers. The musicality of these units was superior – they could rock or funk out as easily as they could move the crowd with a tenor soulful ballad. The rise of electronic music gradually undermined self-contained bands but in the 90s a dynamic young new band emerged—Mint Condition, now the greatest self-contained R&B band of our time.

Mint Condition does it all — delivering hard-bitten funk with a hip hop edge, rocking out with screaming lead guitar, and crooning lush, “baby-making” soul ballads. The members of Mint Condition met as teenagers growing up in the Twin Cities—Minneapolis-St. Paul amidst a thriving music scene energized by Prince, The Time, Jam & Lewis, The Replacements, Soul Asylum and many other artists. Keyboardists Lawrence El and Keri Lewis, guitarist O’Dell, keyboardist/saxophonist Jef, drummer/vocalist Stokley, and bass player Ricky came together in the performing arts program at Central High School. Playing together in different combinations led to them forming Mint Condition; a gig at the famed First Avenue club in 1989 caught the attention of super-producers Jimmy Jam and Terry Lewis, formerly of The Time, and they were signed to Jam & Lewis’ Perspective Records.

Two decades on, Mint Condition stands along with The Roots as the only high-profile examples of a self-contained, hit-making Black music band, and with Mint’s emphasis on songs and great singing, the sole band carrying on the great tradition of R&B funk bands such as Earth, Wind & Fire, The Meters, War, The Commodores, Lakeside, Slave and many more that were an important, progressive element of the black music scene in the Seventies and Eighties. “We’re fortunate that people have come to expect us to march to our own drum, musically speaking,” says bassist Ricky. And even though we have carved out our own unique creative path, we’ve always been well embraced.”

Excuse My French

Tracy Morgan

 

Tracy Morgan is a comedy chameleon, but when he hits the Englert stage Saturday night live, he’ll be Tracy Morgan — not a parody of himself or anyone else.

“You will get to know me as a person, my life experience,” Morgan, 44, says by phone from his home in New Jersey. “That’s what I’m talking about — my life experiences, but in a funny way.”

His life hasn’t played out in a funny way. All the hardships that have killed plenty of his peers are chronicled in his 2009 autobiography, “I Am the New Black.”

“I want to be an example of a guy who made something of himself out of nothing,” he writes in the memoir. “A guy who overcame the odds of a tough childhood, who worked hard, who didn’t let his surroundings get the best of him and lead him to jail or the graveyard.”

He survived the rough days in Brooklyn and the Bronx, when he says the neighborhoods became hoods.

“My backyard became the city’s market for crack and heroin, and our people were right there to participate in every way — as dealers, as addicts, and as statistics days after day,” he writes. “ … My own family was no different. We were torn apart by drugs and AIDS.”

His father, a Vietnam veteran, came home changed, hooked on heroine, moved in and out of his family’s lives and eventually died of AIDS.

“I lost a lot of role models to that terrible twosome: dirty needles and a disease society didn’t understand,” Morgan writes. “Like a lot of the young men in my neighborhood, I ended up on the streets dealing just to get by. We dropped like dominoes, pushed over by the end of a gun or the tip of a needle.”

Comedy was his ticket out of that darkness. Fighting playground bullies with humor, he turned his coping mechanism into a career. After playing Hustle Man on TV’s “Martin” in the ‘90s, Morgan became a star when he joined the ranks of “Saturday Night Live” in 1996. His trajectory has propelled him into such films as “Rio,” “Death at a Funeral” and “Cop Out.”

Perhaps his biggest impact on our cultural consciousness, however, came via NBC’s recently wrapped “30 Rock,” where he again teamed up with SNL alum Tina Fey to create Tracy Jordan, the show’s wacky, unpredictable divo.

He’s quite clear in separating real life from reel life as he tours his new stand-up touring show, “Excuse My French.”

Audiences “will get to know who I am, and they won’t confuse me with Tracy Jordan,” he says. “Tracy Jordan is a character I portrayed on TV. Tracy Morgan is a person who lives a life, and that’s what I’m talking about. Hopefully, no matter who you are or where you come from, you’ll be able to identify and relate to some of the stuff that I’m talking about.

“That’s the first thing I like to put in my act, more than being funny. I want people to identify and relate to me,” he says. “The last thing I want is a misunderstanding. I know with my forte, some people say, ‘He’s crazy’ or ‘He’s unbelievable,’ and I will lose some people, but I don’t mind.”

Comedy has helped him find his voice.

“Watching Richard Pryor and those people express themselves has taught me how to express myself a little bit more,” he says. “It’s taught me how to see things and it’s enlightened me, and so when I’m enlightened, I like to enlighten other people. It’s given me insight, and insight always provides the proper guidance, so at the end of the day, it’s about guidance. Comedy has guided me in a way in my life that nothing else could have guided me in.”

That voice has gotten him in trouble onstage — most notably for riffs on homosexuality and people with disabilities — but he doesn’t see it that way.

“My mouth hasn’t gotten me into trouble over the years,” he counters. “I just think some people don’t get my material. I don’t feel like I’m in trouble — I’m doing stand-up comedy. But if that’s the case, then I think that George Carlin got in trouble, and I guess that Richard Pryor got in trouble, if that’s what you want to call it. I’m just doing comedy on stand-up.”

He loves connecting with live audiences and has kept his foot in the stand-up spotlight while juggling various TV and film projects.

“There’s nothing like live entertainment,” he says. “I like taking ‘me’ to the people. What they see on TV and the movies is one thing, written by other people. This is my voice, and I never want to lose my voice, and that’s what keeps me going. I know I’m speaking for a whole lot of people around the world who don’t have a voice, so that’s why I’m rockin’ and that’s what keeps me rollin’.”

He’ll be rollin’ into Iowa for the first time, with shows in Des Moines on Friday and Iowa City on Saturday.

The details

“I’ve heard other comedians talk about it being a really hip place to play,” he says, “so I’m looking forward to playing in front of hip people. I don’t like squares and I don’t like lames, so if you’re a square or lame, stay home. I’m dealing with hip people who are hip to what’s going on.”

He’ll be paying a bit more attention to what’s going on at home this year, too, when he has another go-round at fatherhood. Morgan has three sons in their 20s from his first marriage, and now he and his fiancee are expecting a child together.

Through hard work and success, he says he’ll be able to spend more time with this child than in the career-building years when his sons were little. He’s enjoying good health more than two years after receiving a kidney transplant, and his idea of a great day is one spent with his family, “watching them have fun.”

“Fun for me these days is just watching other people have fun,” he says. “Fun at this age is different than fun at 22, when I was having fun. I had a little too much fun. So now fun for me these days is just watching my family have fun.”

He’s proud of the men his sons have become, and calls them his “kings.” He raised them with concrete principles: “Respect yourself and respect others,” he says. “Be strong and have love in your heart, and if you see people, see them with your heart and not your eyes.”

From his own tough beginnings, never did he imagine the life he’s now living.

“I don’t think anyone does,” he says. “My father instilled in me, ‘Never ask why, ask why not?’ So growing up, I always said, ‘Why not?’ Somebody got to come out of Brooklyn and be a comedy superstar, why not me? Somebody got to have a beautiful fiancee like I have, why not me? Somebody gotta love her — and somebody gotta love me.”

He lives a life of no regrets. He’s proud of “all of it.”

“When I look back on it — the good, bad and the ugly — all of it.”

With “30 Rock” finished and his new child on way, he demur’s from saying what’s next on his career arc.

“I can’t call it, I might spoil it,” he says. “I just like to leave that in God’s hands — those are the right hands to be in. I just enjoy each day.”