Blog Archives

Monthly concert series will offer high quality at low prices

Anthony Brown

CEDAR RAPIDS — Anthony Brown, 28, got tired of hearing people his age whine about having nothing to do. His reply? Stuff to Do — a monthly concert series featuring affordable ticket prices and music jumps genres.

First up is Midwest jazz fusion group Koplant No, playing two shows Friday (2/8) at the intimate Opus Concert Cafe, next door to the Paramount Theatre. On March 8, the local quartet Sunday Afternoon will bring its a cappella sounds to the same venue.

“I like to think I’m a fairly hyper-connected person,” says Brown, whose full-time job is manager of Community Engagement and Development programming at Diversity Focus in Cedar Rapids. Originally from Wichita, he’s lived in Cedar Rapids since 1999.

“When you do any kind of marketing or promotions, you tend to know about everything that’s going on,” he says. “But I keep running into people who say, ‘There’s nothing to do here’ or ‘There’s nothing here that I want to do.’ People have just been saying that over the years.

“Honestly, I got tired of hearing people complaining about it and being bored. I think boredom is self-inflicted,” he says. “I know there is a lot of stuff to do out there.”

Once a month, he’d like to offer something different. He realizes young adults can’t always afford the higher ticket prices at major events and venues in the Corridor, so he decided to chip away at that stumbling block by keeping prices low. He’s hoping to keep all event prices under $15 and eventually branch out to other venues.

Opus, which seats up to 90, seemed like the perfect place to launch his initiative.

“They really want to get more small performances in there,” he says. “It’s an awesome little upscale venue.”

He’ll be happy if 60 or 70 people show up for the initial concerts. They’re designed to run 60 to 90 minutes, so the before- and after-dinner crowds can “cap off the night or start the night off,” he says.

A cash bar and light snacks will be available. Eventually, Brown would like to offer dinner options. “That would be my goal, especially once we get a following,” he says. “It goes back to diversifying not only the programming, but diversifying your audience.

“It would be nice to show that Cedar Rapids is meeting the needs of the community, or adapting to meet the needs of the community, especially for my generation,” he says.

Koplant No sprang from the Iowa City music scene in 2008, weaving electronica, progressive rock and hip-hop elements through jazz improvisation. The foursome, now scattered through the Midwest, has garnered rave reviews from public radio, and has appeared at the Iowa City and Twin Cities jazz festivals.

“It’s an awesome fusion-hybrid-jazz combo group,” Brown says. “To be quite frank, I don’t necessarily have the taste for jazz music, but I love their music. It’s really unique.”

He also likes the way the band engages the crowd in live shows.

The March 8 concert switches directions with the a cappella stylings of Sunday Afternoon.

“I’m impressed — especially after watching ‘Pitch Perfect,’ ” Brown says. “It’s kinda cool what people can do with their voices. … Sunday Afternoon is a great collective of people, a great blend of voices. They’re going to be unique and something we really have not had here before, on a local level.

“That’s another thing I want to do — to make sure that what we do is relatively local to the Corridor,” he says.

The public can help shape future shows by responding to a survey on the Facebook page, Cedar Rapids Stuff to Do.

“It’s all about mixing things up,” he says.

Koplant No

The details

 

 

REVIEW: Big Bad Voodoo Daddy electrifying all night long

Big Bad Voodoo Daddy

By Rob Cline/Correspondent

CEDAR RAPIDS — On Friday night at the Paramount (1/25/13), the follow spot operation for the Big Bad Voodoo Daddy concert was erratic.

I mention this up front to assure you that my critical faculties were, in fact, in working order at the show. The outright rave that follows might otherwise give you pause.

Big Bad Voodoo Daddy delivered an exhilarating performance before a mid-sized but extremely enthusiastic crowd. From first note to last, the concert, the first of the band’s 20th anniversary tour, was pretty darn close to perfect.

The nine-member outfit, a swing revival band that manages to be incredibly tight while also maintaining an air of spontaneity, performed songs from throughout their career as well as from their newest record, “Rattle Them Bones.” In their sharp suits and hats, the members of the band looked as good as they sounded, offering up a boisterous blend of style and substance.

Lead singer Scotty Morris was in fine voice and perfectly comfortable at the center of the action — quasi-conducting the band, introducing the songs, playing guitar and banjo, getting the audience involved with call and response. From the opening lines of “Minnie the Moocher” through the band’s closer, “So Long, Farewell, Goodbye,” he was clearly having a blast.

In fact, that could be said of the whole band, including the incredible rhythm section of pianist and arranger Joshua Levy, bassist and vocalist Dirk Shumaker, and percussionist Kurt Sodergren. From boogie-woogie to Dixieland, straight up swingers to klezmer, the boys in the rhythm section kept the trains running on time while also serving up tasty licks throughout the night.

Morris, Levy, Shumaker, and Sodergren would make a fine, swinging band just as a quartet, but Big Bad Voodoo Daddy’s amazing five-piece horn section takes things to a whole different level.

Featuring Glen “The Kid” Marhevka and Tony Bonsera on trumpet, Alex “Crazy Legs” Henderson on trombone, and Andy Rowley and Karl Hunter on reeds, the horn section blew its way through intricate ensemble moments as well as solos both subtle and outlandish. Time and again, I found myself just shaking my head as they tore up another number. They were simply electrifying all night long.

The concert had no low points at all, but if forced to pick some high points, I’d nod to “Mr. Pinstriped Suit,” a swinger which garnered a sustained ovation in the middle of the first set; the boogie-woogie number “You Know You Wrong,” which is a personal favorite of mine; and “Five Ten Fifteen Times I Love You,” a song from the new record that gave both bassist Shumaker and pianist Levy extended moments in the (erratically operated) spotlight.

The crowd seemed equally pleased with the older and the newer material, a tribute to the band’s song selection, arrangements, and, of course, incredible delivery.

As good as this band is on record — and it is very, very good on record — the live show is something else again. Next time the band is anywhere in area, I urge you to make sure you’re there for the show.

Related: Rattle them bones – Big Bad Voodoo Daddy swings into Cedar Rapids

REVIEW: Dianne Reeves brings beauty everywhere when ‘Christmas Time is Here’

Dianne Reeves

RIVERSIDE — An ill-fated shopping trip this afternoon (12/7/12) sucked the Christmas spirit right out of me. Jazz giant Dianne Reeves breathed it right back in.

Her Hancher concert tonight in the Riverside Casino Event Center was sublime in every sense of the word. The Denver diva, 56, is at the top of her form, the shining star leading the way for female jazz singers around the world.

She brings a global mix to her stylings, her fascinating rhythms wrapped in Afro-Caribbean beats from her years touring with Harry Belafonte in the ’80s and sultry Brazilian infusions from her band’s guitarist, Romero Lubambo of Rio de Janeiro.

She is one with her stellar band of brothers — musical director Peter Martin of St. Louis on piano, Reginald Veal of New Orleans on upright and electric bass, Terreon Gully of East St. Louis on drums and Lubambo on acoustic and electric guitars. Their music has an exciting improvisational feel, but they are always in synch, always united in the symbiotic way their paths separate and entwine, bringing smiles of glee and satisfaction to their faces and ours.

Everything they feel surges through their audience. The 507 people bathed in Reeves’ holiday Hancher glow showered her with spontaneous bursts of applause throughout the show, displaying their appreciation not only for her luscious, luminous moments, but for the sheer magnitude of her bandmates’ musicality and finesse.

While the title of her concert –”Christmas Time is Here” — hearkens to tradition, only the lyrics are traditional. Everything else is new and fresh and totally unexpected. She takes the melodies, turns them inside out and spins them through the magical arrangements, making you feel like you’re hearing the most familiar songs for the very first time.

Her band started the nearly two-hour show, giving us a taste of the evening’s unusual turns, from Latin-laced guitar to sizzling syncopation so hot it was totally cool. The bedazzling Reeves, in a casually elegant mix of cream colored knit top and sparkling gold skirt, then launched  into a cascade of oohs, leading into “The Twelfth of Never” that never sounded so good.

She then sang her greeting to us, inviting us to sit back and relax, clap our hands, stomp our feet and dance up and down the aisle. “We like it that way,” she said, and we liked it her way — bringing chromatic dissonance to “Carol of the Bells,” regaling us with stories from her life, told at family Christmas gatherings past, and singing a most glorious tribute to her spirited mother who died in May.

The evening was intimate, joyous and heart-warming, with a touch of exotic sensuality enveloping “The Christmas Waltz” and bringing a velvety smoothness to “Misty,” in a tribute to her idol, Sarah Vaughan. (I dare say no one scats like Reeves, who keeps it always mellow, always dreamy and never frenetic.)

One of the highlights of the evening enveloped all that is beautiful and exciting about her artistry, with “The Little Drummer Boy” getting his groove on, thanks to Gully’s funky, progressive intro before Reeves and the rest joined in. I’ll never hear that song again without thinking fondly of Reeves’ imaginative, entertaining rendition.

And that’s how I’ll always remember this glimmering, glittering event announcing that Christmas time is, indeed, here.

Related: Jazzing up the holidays — Dianne Reeves brings it home to Hancher

 

Music Notes: Funk-Stop

Funk-Stop

The talent: Marcus Perkins (vocals), Kevin K.D. Sims (vocals), Steve Shanley (keyboards), John Hall (bass), John Reasoner (guitar), Ryan Hoagland (drums), Jeff Schafer (baritone sax), Bob Manson (trombone), Peter Hart (tenor sax), Jason Maiers (trumpet) and Steve King (trumpet).
The sound: Jazz fusion
The Gigs: April 3 @ 1st Ave Live!, April 17 @ Cocktails and Co. and April 25 @ Volume, all in Cedar Rapids
The Rest of the Story: www.funk-stop.com

What happens when you combine 11 musicians of varying ages, influences and backgrounds? In the case of Funk-Stop, you get a high impact, soulful sound that features powerful horns and rhythm.

Hailing from all over the country, including Washington D.C., and Chicago, all members found their way to Cedar Rapids and each other. From the ashes of Funk 101, Funk-Stop has a new drummer, but the same instruments and many of the same musicians. Many are music instructors with doctorates and masters degrees by day, as well as musicians who play for a living. They also welcomed back one of their original singers who spent several years fronting Mean Street and the Hell Horns.

“About a year ago, Steve Shanley, John Hall and I had lunch and talked about putting a kick-ass horn band together to do more Jazz/Fusion,” says guitarist Reasoner. “We are very lucky to be able to do this where we live. It has given us the opportunity to give back to the community by way of benefits and school (performances). Being able to do what you love and help others is what it is all about.”

Inspired by Tower of Power, James Brown and Earth, Wind and Fire, Funk-Stop currently performs covers but hopes to tackle original material soon.

“Our main goal is to keep playing together,” Reasoner says. “We don’t really care too much about the money. We are in it for the music.”

Drummer Ryan “Hoagy” Hoagland agrees.

“We have a blast playing on stage with each other, playing great music,” he says. “It doesn’t get much better than that.”

- Justin

top 3

Already planning how you’re going to come down from that tryptophan high? Maybe these events will trip your trigger. Know of anything else going on? Do tell.

Friday, Nov. 28

New Bohemia is rising from the waters edge in 2009 and will be back as an arts and culture district in Cedar Rapids (with your help!) The New Bohemia Benefit will feature music by Flat Cat, the Mike Bader Blues Band, D-Dog and the B-Bits and Harvey Headbanger.

When: 6 to 11 p.m.

Where: Grand Ballroom  at the Longbranch Hotel, 90 Twixt Town Rd NE, Cedar Rapids

Cost: $8 in advance @ Music Go Round, Tic Toc, Brewed Awakenings, Sports Clip and at www.etix.com; $10 at the door.

More info: www.newbohemia.org

Extras: Go for a chance to win door prizes or some Rock ‘n Roll/New Bohemia souvenirs and memorabilia.

Saturday, November 29

Spencer Day will preview new songs from his upcoming album, Vagabond, at Legion Arts. We just listened his music and we’re in love. Think Michael Buble. And just as cute, right?

Day unique style is a blend of jazz, blues, soul and folk with a touch of humor and pathos. His music expressed through his rich baritone voice is setting the tone for a new American Songbook relevant to today’s audiences. Day’s performance at Legion Arts will give music lovers a chance to hear these amazing songs before Vagabond’s release next spring.

When: Doors open @ 7:30 p.m., show starts @ 8 p.m.

Where: Legion Arts | CSPS, 1103 Third St SE, Cedar Rapids

Cost: $17 in advance; $20 at the door

More info: Legion Arts @ (319) 364-1580 or http://www.legionarts.org/

Extras: Check out Spencer’s music @ http://www.spencerday.com/

Saturday, November 29

Kick off the Holiday season in a jazzy way with Jazz To The World. Jazz To The World” is inspired by those fun holiday specials we remember as children, with great music, hilarious comedy and touching holiday moments. Dan Knight leads an all-star band, with vocalists Betsy Hickok and Tina Monroe. The musical highlight will be the performance of a “lost” Christmas song composed by jazz legend Duke Ellington.

When: 7:30 p.m.

Where: Englert Theatre, 221 East Washington St, Iowa City.

Cost: $20, $15 for students and seniors, $10 for kids. Proceeds go to support the programs of KCCK and The Englert Theatre.

More info: Get your tickets on-line or call the Englert Box Office at (319) 688-2653.

Extras: Click here to go to the KCCK site for a discount coupon.

top 3

Friday and Saturday, Nov. 14 and 15

Edgeworks Dance Theater, an award-winning Washington, D.C., dance company, will present its new work, “the determining factor.”
The piece features an integration of dance, video, original spoken word and music, exploring the ways in which four sexual minorities – lesbian, gay, bisexual and transgendered – relate to the sexual majority.

When: 8 p.m.

Where: CSPS, 1103 Third St. SE., Cedar Rapids

Cost: $15 in advance, $18 day of the show. Discounts are available for students and groups.

More info: call CSPS at (319) 364-1580 or go to www.legionarts.org

Friday and Saturday, Nov. 14 and 15

New York jazz vocalist Paula West, with George Mesterhazy at the piano, will perform.

When: 8 p.m.

Where: Campbell Steele Gallery, 1064 Seventh Ave., Marion.

Cost: $25 through the gallery.

More info: call (319) 373-9211 or go online to http://www.campbellsteele.com 

Friday, Nov. 14

Cedar Rapids Roughriders and coach Mark Carlson are closing in on 300 wins in this, their 10th anniversary season.

When: 7:05 p.m.

Where: Rockford Rd SW, Cedar Rapids Ice Arena

Cost: Tickets range from $7 to $17

More info: www.roughridershockey.com